Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 242
... nature ( ours with a difference ) , as Othello , Hamlet , and Macbeth . Herein the great and the little wits are differenced ; that if the latter wander ever so little from nature or actual existence , they lose them- selves , and their ...
... nature ( ours with a difference ) , as Othello , Hamlet , and Macbeth . Herein the great and the little wits are differenced ; that if the latter wander ever so little from nature or actual existence , they lose them- selves , and their ...
Page 306
... nature or warp her to his own purposes ; who " knew all qualities with a learned spirit , " instead of judging of ... nature . He did not discover things out of nature , in fic- tion or fairy land , or make a voyage to the moon " to ...
... nature or warp her to his own purposes ; who " knew all qualities with a learned spirit , " instead of judging of ... nature . He did not discover things out of nature , in fic- tion or fairy land , or make a voyage to the moon " to ...
Page 375
... nature and a natural style ; but we hold this to be a mistake , arising merely from certain negations on the part of that amiable but by no means powerful writer . Cowper's style is for the most part as inverted and artificial as that ...
... nature and a natural style ; but we hold this to be a mistake , arising merely from certain negations on the part of that amiable but by no means powerful writer . Cowper's style is for the most part as inverted and artificial as that ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young