Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 13
... Letters to the Right Honourable Edmund Burke , 1791 , fairly represents the activity for which he was best known to his contem- poraries . Despite his leadership in ... Letters to Edmund Burke 13 JOSEPH PRIESTLEY from Letters to Edmund Burke.
... Letters to the Right Honourable Edmund Burke , 1791 , fairly represents the activity for which he was best known to his contem- poraries . Despite his leadership in ... Letters to Edmund Burke 13 JOSEPH PRIESTLEY from Letters to Edmund Burke.
Page 255
... Letters ΒΆ of the known letters by Lamb , numbering about 1100 , a large portion gave full imaginative value in days when the recipient paid the postage . Several of his most famous essays amplify ideas and fantasies tried out in the letters ...
... Letters ΒΆ of the known letters by Lamb , numbering about 1100 , a large portion gave full imaginative value in days when the recipient paid the postage . Several of his most famous essays amplify ideas and fantasies tried out in the letters ...
Page 517
... letters ought to be . " Thoughts arose too rapidly for Keats to notice spelling , punctuation , or grammar . Most of the letters , despite their headlong informality , deserve formal designations , such as Letter on Negative Capability ...
... letters ought to be . " Thoughts arose too rapidly for Keats to notice spelling , punctuation , or grammar . Most of the letters , despite their headlong informality , deserve formal designations , such as Letter on Negative Capability ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
41 other sections not shown
Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young