Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 59
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and re - acting upon each other ...
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and re - acting upon each other ...
Page 60
... knowledge both of the Poet and the Man of Science is pleasure ; but the knowledge of the one cleaves to us as a necessary part of our existence , our natural and unalienable inheritance ; the other is a personal and individual acquisi ...
... knowledge both of the Poet and the Man of Science is pleasure ; but the knowledge of the one cleaves to us as a necessary part of our existence , our natural and unalienable inheritance ; the other is a personal and individual acquisi ...
Page 508
... knowledge than can be accommodated to the just distribution of the produce which it multiplies . The poetry in these systems of thought , is concealed by the accumulation of facts and calculating processes . There is no want of knowledge ...
... knowledge than can be accommodated to the just distribution of the produce which it multiplies . The poetry in these systems of thought , is concealed by the accumulation of facts and calculating processes . There is no want of knowledge ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young