Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 173
... imagination than any of those to whom the quality is peculiarly attributed . It is not inconsistent with vigour and gravity . There may be a large and effuse light without " the motes that people the sunbeams . " 2 Imagination follows ...
... imagination than any of those to whom the quality is peculiarly attributed . It is not inconsistent with vigour and gravity . There may be a large and effuse light without " the motes that people the sunbeams . " 2 Imagination follows ...
Page 331
... imagination is principally visionary , the unknown and undefined : the understanding restores things to their ... imagination : we can only fancy what we do not know . As in looking into the mazes of a tangled wood we fill them with what ...
... imagination is principally visionary , the unknown and undefined : the understanding restores things to their ... imagination : we can only fancy what we do not know . As in looking into the mazes of a tangled wood we fill them with what ...
Page 522
... Imagination - What the imagination seizes as Beauty must be truth whether it existed before or not - for I have the same Idea of all our Passions as of Love they are all in their sublime , creative of essential Beauty In a Word , you ...
... Imagination - What the imagination seizes as Beauty must be truth whether it existed before or not - for I have the same Idea of all our Passions as of Love they are all in their sublime , creative of essential Beauty In a Word , you ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young