Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 402
... head , or hope to illumine her solitude , because the heaven - born instincts kindling in her nature germs of holy affections , which God implanted in her womanly bosom , having been stifled by social necessities , now burn sullenly to ...
... head , or hope to illumine her solitude , because the heaven - born instincts kindling in her nature germs of holy affections , which God implanted in her womanly bosom , having been stifled by social necessities , now burn sullenly to ...
Page 463
... head was off before the eye could trace the blow ; but from an attempt to draw back the head , notwithstanding it was held forward by the hair , the first head was cut off close to the ears : the other two were taken off more cleanly ...
... head was off before the eye could trace the blow ; but from an attempt to draw back the head , notwithstanding it was held forward by the hair , the first head was cut off close to the ears : the other two were taken off more cleanly ...
Page 534
Carl Woodring. ― a parallel of breast and head can be drawn ( you will forgive me for thus privately ( heading ) treading out [ of ] my depth , and take it for treading as schoolboys ( head ) tread the water ( s ) ) — it is impos- sible ...
Carl Woodring. ― a parallel of breast and head can be drawn ( you will forgive me for thus privately ( heading ) treading out [ of ] my depth , and take it for treading as schoolboys ( head ) tread the water ( s ) ) — it is impos- sible ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young