Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 56
... distinction which overturns what I have been saying on the strict affinity of metrical language with that of prose , and paves the way for other artificial distinctions which the mind voluntarily admits , I answer that the language of ...
... distinction which overturns what I have been saying on the strict affinity of metrical language with that of prose , and paves the way for other artificial distinctions which the mind voluntarily admits , I answer that the language of ...
Page 100
... distinction ; while it is the priviledge of the philosopher to preserve himself con- stantly aware , that distinction is not division . In order to obtain ade- quate notions of any truth , we must intellectually separate its dis ...
... distinction ; while it is the priviledge of the philosopher to preserve himself con- stantly aware , that distinction is not division . In order to obtain ade- quate notions of any truth , we must intellectually separate its dis ...
Page 445
... distinction investing the mail itself : which features at that time lay 1st , in velocity unprecedented ; 2dly , in ... distinctions are all described circumstan- tially in the FIRST or introductory section ( " The Glory of Motion ...
... distinction investing the mail itself : which features at that time lay 1st , in velocity unprecedented ; 2dly , in ... distinctions are all described circumstan- tially in the FIRST or introductory section ( " The Glory of Motion ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
41 other sections not shown
Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young