Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 21
... cause of truth cannot but suffer . The really good arguments on each side of the question are not allowed to have their proper weight . Each pursues his own theory , little solicitous to correct , or improve it , by an attention to what ...
... cause of truth cannot but suffer . The really good arguments on each side of the question are not allowed to have their proper weight . Each pursues his own theory , little solicitous to correct , or improve it , by an attention to what ...
Page 111
... causes and circum- stances not necessarily connected with " their occupations and abode . " The thoughts , feelings ... cause , indeed , which is so far accidental , that it is the blessing of par- ticular countries and a particular age ...
... causes and circum- stances not necessarily connected with " their occupations and abode . " The thoughts , feelings ... cause , indeed , which is so far accidental , that it is the blessing of par- ticular countries and a particular age ...
Page 146
... cause of this effect , Or rather say the cause of this defect : For this effect defective comes by cause . Thus it remains , and the remainder thus Perpend ! Hamlet , act ii . scene 2 . Does not the irresistible sense of the ludicrous ...
... cause of this effect , Or rather say the cause of this defect : For this effect defective comes by cause . Thus it remains , and the remainder thus Perpend ! Hamlet , act ii . scene 2 . Does not the irresistible sense of the ludicrous ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young