Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 489
... become the image of the combined effect of those objects , and of his apprehension of them . Man in society , with all his passions and his pleasures , next becomes the object of the passions and pleasures of man ; an additional class ...
... become the image of the combined effect of those objects , and of his apprehension of them . Man in society , with all his passions and his pleasures , next becomes the object of the passions and pleasures of man ; an additional class ...
Page 529
... become great , and Humanity in- stead of being a wide heath of Furse1 and Briars with here and there a remote Oak or Pine , would become a grand democracy of Forest Trees . It has been an old Comparison for our urging on -the Bee hive ...
... become great , and Humanity in- stead of being a wide heath of Furse1 and Briars with here and there a remote Oak or Pine , would become a grand democracy of Forest Trees . It has been an old Comparison for our urging on -the Bee hive ...
Page 546
... becomes a greater wonder - The more I know what my diligence may in time probably effect ; the more does my heart distend with Pride and Obstinacy1 — I feel it in my power to become a popular writer I feel it in my strength to refuse ...
... becomes a greater wonder - The more I know what my diligence may in time probably effect ; the more does my heart distend with Pride and Obstinacy1 — I feel it in my power to become a popular writer I feel it in my strength to refuse ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young