Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page xxii
... English Romantic Poets : A Review of Research , ed . Thomas M. Raysor , revised edition , New York , 1956 , and The English Romantic Poets and Essayists : A Review of Research and Criticism , ed . Carolyn W. Houtchens and Lawrence H ...
... English Romantic Poets : A Review of Research , ed . Thomas M. Raysor , revised edition , New York , 1956 , and The English Romantic Poets and Essayists : A Review of Research and Criticism , ed . Carolyn W. Houtchens and Lawrence H ...
Page 168
Carl Woodring. FROM Florentine , English Visitor , and Landor English Visitor . One objection to your Imaginary Conversations is , that you represent some living characters as speaking with greater powers of mind than they possess , vile ...
Carl Woodring. FROM Florentine , English Visitor , and Landor English Visitor . One objection to your Imaginary Conversations is , that you represent some living characters as speaking with greater powers of mind than they possess , vile ...
Page 278
... English Poets . January 5 ( ? ) , A Letter to William Gifford , Esq . April , Lectures on the English Comic Writers . About December , separated from his wife ( divorced in Edinburgh , July 17 , 1822 ) . January , Lectures Chiefly on ...
... English Poets . January 5 ( ? ) , A Letter to William Gifford , Esq . April , Lectures on the English Comic Writers . About December , separated from his wife ( divorced in Edinburgh , July 17 , 1822 ) . January , Lectures Chiefly on ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young