The Gap in Shakespeare: The Motif of Division from "Richard II" to "The Tempest"Vision, 1981 - 200 pages |
Contents
Preface | 7 |
The Second History Tetralogy | 11 |
Twelfth Night | 28 |
Copyright | |
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action Angelo Antony and Cleopatra asks become behaviour Bolingbroke brother Cassio cause characters Claudius comedies comic Cordelia Coriolanus Cymbeline death deed Desdemona disguised division Duncan easily jealous Edgar Edmund evil fact Falstaff father feel further give Gloucester Gloucester's Goneril Hal's Hamlet handkerchief hath Iago Iago's ibid imagery jealousy Kent killing King Lear Lady Macbeth late romances later Lear's Leontes lovers marriage Measure for Measure Menenius mental Methuen Midsummer Night's Dream mind and body moral motif motive murder nature Olivia opposites Orsino Oswald Othello physical political portrayed Prospero protagonists reality reason Regan and Goneril relationship Richard Rome says scene Sebastian seems seen sense Shakespeare soliloquy speak speech spiritual tells Tempest thee theme things thou thought throughout the play Timon Timon of Athens Tragedies Troilus and Cressida true truth Twelfth Night University Press vision Volumnia wife Winter's Tale witches