The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 pages |
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Page 13
... feeling and passion . He bears down every obstacle ; his friends he animates with his enthusiasm , he lashes his opponents with his satire , -he withers them with his scorn , he crush- es , he annihilates them with his terrible , his ...
... feeling and passion . He bears down every obstacle ; his friends he animates with his enthusiasm , he lashes his opponents with his satire , -he withers them with his scorn , he crush- es , he annihilates them with his terrible , his ...
Page 16
... feeling . " And why ? Clearly for the want of a system , which by rules and principles of art shall render such a contradiction next to impossible . The right reverend and learned Doctor ( c . ii . , § 2 , ) lays it down that , " To the ...
... feeling . " And why ? Clearly for the want of a system , which by rules and principles of art shall render such a contradiction next to impossible . The right reverend and learned Doctor ( c . ii . , § 2 , ) lays it down that , " To the ...
Page 19
... sense , every style of composition , every variety of feeling , every vicissitude of passion and the Elocution- ist who is thoroughly master of his art , no more fixes his at- tention , while speaking , on his own voice , INTRODUCTION . 19.
... sense , every style of composition , every variety of feeling , every vicissitude of passion and the Elocution- ist who is thoroughly master of his art , no more fixes his at- tention , while speaking , on his own voice , INTRODUCTION . 19.
Page 62
... feelings . And , as in rhetoric we acquire a good habit or style of composition , by a study and analysis of the styles and compositions of others ; -so , in Elocu- tion , we acquire an easy habit or style of delivery , by exercising ...
... feelings . And , as in rhetoric we acquire a good habit or style of composition , by a study and analysis of the styles and compositions of others ; -so , in Elocu- tion , we acquire an easy habit or style of delivery , by exercising ...
Page 71
... feeling . In this latter regard the long pause is of great use and assistance to the reader and the orator . Its application must be illustrated and acquired by practical exercise . The system of Rhetorical Pause deserves the stu ...
... feeling . In this latter regard the long pause is of great use and assistance to the reader and the orator . Its application must be illustrated and acquired by practical exercise . The system of Rhetorical Pause deserves the stu ...
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The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff No preview available - 2015 |
Common terms and phrases
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Popular passages
Page 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Page 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
Page 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Page 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Page 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
Page 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Page 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
Page 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
Page 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Page 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...