The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 pages |
From inside the book
Results 1-5 of 18
Page 33
... breath without vocality . * Such is the sound of p heard in p - ad , t in t - ime , s in s - igh , fin f - ade ; the ... breath , " as the distinctive mark of the pure semi - vowels . Voice without breath ! This is an organic ...
... breath without vocality . * Such is the sound of p heard in p - ad , t in t - ime , s in s - igh , fin f - ade ; the ... breath , " as the distinctive mark of the pure semi - vowels . Voice without breath ! This is an organic ...
Page 34
... prolonged to an indefinite time , without any change of tone , or serpent - like sibilation . Voice without breath is flame without fire ! alteration of the vocal organs , from the commencement to 34 ART OF ELOCUTION .
... prolonged to an indefinite time , without any change of tone , or serpent - like sibilation . Voice without breath is flame without fire ! alteration of the vocal organs , from the commencement to 34 ART OF ELOCUTION .
Page 42
... breath - in Y , over the tongue - in W , through the pro- truded lips . DIRECTION . - The pupil , or teacher , must pay particular at- tention to the organic formation of the subtonics and atonics , as it will enable him easily to ...
... breath - in Y , over the tongue - in W , through the pro- truded lips . DIRECTION . - The pupil , or teacher , must pay particular at- tention to the organic formation of the subtonics and atonics , as it will enable him easily to ...
Page 65
... breath , than an absolute pause . RULES FOR PAUSE . 1. SHORT PAUSE . The short Pause , or quaver - rest , is used generally 1. The nominative phrase ; that is , several words composing one phrase , and standing as the nominative to some ...
... breath , than an absolute pause . RULES FOR PAUSE . 1. SHORT PAUSE . The short Pause , or quaver - rest , is used generally 1. The nominative phrase ; that is , several words composing one phrase , and standing as the nominative to some ...
Page 145
... breath ; the pipe - the throat - must have full play , -the orifice of the mouth must be well opened , and the sound must be poured through it in a copious , swelling stream ; interrupted , momentarily , by pause or rests , -on which it ...
... breath ; the pipe - the throat - must have full play , -the orifice of the mouth must be well opened , and the sound must be poured through it in a copious , swelling stream ; interrupted , momentarily , by pause or rests , -on which it ...
Other editions - View all
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff No preview available - 2015 |
Common terms and phrases
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Popular passages
Page 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Page 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
Page 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Page 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Page 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
Page 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Page 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
Page 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
Page 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Page 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...