The Net of Nemesis: Studies in Tragic Bond/ageSusquehanna University Press, 2000 - 194 pages The Net of Nemesis examines the trope of tragic bond/age, in which humanity is the beneficiary of bonds that nurture and unite and the victim of bondage that confines and restrains. Manifestations of the trope in Greek and Shakespearean tragedy, Miltonic epic, and nineteenth- and twentieth-century fiction repeat and vary the trope's central symbol of the net and other, related leitmotifs and demonstrate that such orchestration resolves the conflict between bonds and bond/age and informs the catharsis and transcendence essential to tragedy. |
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Page 13
... manifestations in Greek mythology of metis , or cunning intelligence , is the bond and the circle . One example of such metis is the delicate , light , but inescapable chained net that Hephaestus forges and suspends from the ceiling in ...
... manifestations in Greek mythology of metis , or cunning intelligence , is the bond and the circle . One example of such metis is the delicate , light , but inescapable chained net that Hephaestus forges and suspends from the ceiling in ...
Page 16
... manifests itself as a great circular and " seman- tic web of resemblances " based on the contiguity of things , on " adjacencies , of bonds and joints . " In a major transformation of epistemes , the Renais- sance of resemblance is ...
... manifests itself as a great circular and " seman- tic web of resemblances " based on the contiguity of things , on " adjacencies , of bonds and joints . " In a major transformation of epistemes , the Renais- sance of resemblance is ...
Page 17
... manifests itself in depth as though already there , waiting in silence for the moment of its expression . " 12 Such epistemes or networks , such ways of understanding and articulat- ing society , the world , and self , such ...
... manifests itself in depth as though already there , waiting in silence for the moment of its expression . " 12 Such epistemes or networks , such ways of understanding and articulat- ing society , the world , and self , such ...
Page 19
... manifests itself as a compulsion to reverse his role and become the one who binds rather than the one who is bound . Thus , Heidegger adds , " A wanderer out of his own housed self , man up- roots , constrains , and distorts the ...
... manifests itself as a compulsion to reverse his role and become the one who binds rather than the one who is bound . Thus , Heidegger adds , " A wanderer out of his own housed self , man up- roots , constrains , and distorts the ...
Page 20
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Contents
11 | |
In Greek Tragedy | 25 |
In Hamlet | 42 |
In King Lear | 55 |
In Macbeth | 64 |
In Paradise Lost | 73 |
In The Scarlet Letter | 83 |
In Moby Dick | 91 |
In Tess of the dUrbervilles | 111 |
In The Portrait of a Lady | 121 |
In Heart of Darkness | 132 |
In Absalom Absalom | 141 |
The Tragedy of Bondage | 154 |
Notes | 173 |
Bibliography | 180 |
Index | 185 |
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Common terms and phrases
Absalom Adam Aeschylus agon Ahab Angel Antigone banquet Banquo becomes binds bond bound boundaries brother Casterbridge chthonic Claudius Clytie Creon crime against kinship d'Urbervilles daughter death defilement deracination Dimmesdale disinheritance edited Elizabeth Jane Farfrae fate father Faulkner figure Freud Greek tragedy Hamlet hand Hardy heart of darkness Hegel Henchard Henry Hereafter all references Hester Hippolytus human individual ironically Isabel Ishmael Jason Jean-Pierre Vernant Judith King Kurtz Lacan Laertes Lear leitmotif Lucetta Madame Merle man's manifestation Marlow marriage Mayor of Casterbridge Medea Moby Dick mother Myth and Tragedy nature necessity negativa novel Oedipus Osmond Prometheus protagonist punishment Ralph relationship Satan scarlet letter Shakespeare social society Steiner suffering suggests Sutpen symbol T. S. Eliot Tess thereby things Thomas Sutpen threads tion tragic bond/age tragic hero trans transcendence trope of tragic variation Vernant violation W. W. Norton weaving whale woman word York
Popular passages
Page 43 - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless and the sheeted dead Did squeak and gibber in the Roman streets...
Page 62 - And my poor fool is hang'd! No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
Page 88 - My old faith, long forgotten, comes back to me, and explains all that we do, and all we suffer. By thy first step awry thou didst plant the germ of evil; but since that moment, it has all been a dark necessity. Ye that have wronged me are not sinful, save in a kind of typical illusion; neither am I fiend-like, who have snatched a fiend's office from his hands. It is our fate. Let the black flower blossom as it may! Now go thy ways, and deal as thou wilt with yonder man.
Page 64 - If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
Page 77 - Return, fair Eve, Whom fliest thou ? whom thou fliest, of him thou art, His flesh, his bone; to give thee being I lent Out of my side to thee, nearest my heart, Substantial life, to have thee by my side Henceforth an individual solace dear: Part of my soul, I seek thee, and thee claim, My other half.
Page 66 - Come, seeling night, Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand, Cancel and tear to pieces that great bond Which keeps me pale.
Page 65 - Upon my head they placed a fruitless crown And put a barren sceptre in my gripe, Thence to be wrench'd with an unlineal hand, No son of mine succeeding.
Page 46 - The cease of majesty Dies not alone, but like a gulf doth draw What's near it with it...
Page 79 - In the sweat of thy face shalt thou eat bread, Till thou return unto the ground...
Page 74 - Whose fault ? Whose but his own ? ingrate, he had of me All he could have : I made him just and right, Sufficient to have stood, though free to fall. Such I created all th...