A Practical Manual of Elocution: Embracing Voice and Gesture : Designed for Schools, Academies and Colleges, as Well as for Private LearnersSorin & Ball, 1845 - 331 pages |
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Page 23
... Third , it will give him a distinct enunciation , by which we mean nothing more than perfect distinctness of articula- tion carried into the general delivery . Fourth , it will give him the command of the various elements both of voice ...
... Third , it will give him a distinct enunciation , by which we mean nothing more than perfect distinctness of articula- tion carried into the general delivery . Fourth , it will give him the command of the various elements both of voice ...
Page 57
... third and fourth , and the seventh and eighth ; in which cases they are but half the length of the others , and are called semitones . The intervals between the first or keynote and the others successively are called the second , the third ...
... third and fourth , and the seventh and eighth ; in which cases they are but half the length of the others , and are called semitones . The intervals between the first or keynote and the others successively are called the second , the third ...
Page 59
... third or two full tones , of the fifth , and of the octave ; all of which , except the first , may be represented by ... Third . Downward Third . Upward Fifth . Downward Fifth . Upward Octave . 1. SLIDES OF THE VOICE .. 59 .
... third or two full tones , of the fifth , and of the octave ; all of which , except the first , may be represented by ... Third . Downward Third . Upward Fifth . Downward Fifth . Upward Octave . 1. SLIDES OF THE VOICE .. 59 .
Page 60
... Third , Fifth , and Octave . - Exercise on these several functions of speech , after the extent of each shall be determined , is peculiarly important ; and the ex- ercise may extend to both the upward and downward movements . The upward ...
... Third , Fifth , and Octave . - Exercise on these several functions of speech , after the extent of each shall be determined , is peculiarly important ; and the ex- ercise may extend to both the upward and downward movements . The upward ...
Page 61
... Third , he will rise two notes above the key - thus fa - sol - la , or do - re - mi , discretely ; and then , instead of going up by skips , will rise on the sound fa or do con- cretely up to the place of la , or mi ; and thus fix for ...
... Third , he will rise two notes above the key - thus fa - sol - la , or do - re - mi , discretely ; and then , instead of going up by skips , will rise on the sound fa or do con- cretely up to the place of la , or mi ; and thus fix for ...
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Common terms and phrases
Absalom accent action Ahimaaz articulation Aspiration body Bowdoin College breast Broken Melody Brutus Cadence Cæsar called Cassius character Chironomia Cicero combined Concrete consonants countenance current melody delivery Demosthenes Diatonic Dickinson college dignity direct discourse distinct downward Drift elements Elocution emotion emphasis emphatic employed equal wave examples exercise exhibit expression Falling Slide feeling fifth fingers foot force furnish gesture give grace hand head heard heart heaven human voice illustrate interrogation interval Intonation king language learner long quantity lower limbs Manual marked Median Stress ment mind motley fool movement musical scale natural never o'er object octave orator oratory Pandarus passions pause perfect phatic pitch position practice presented principles pulpit Quintilian Radical Stress reading Rising Slide Semitone sentence sentiment speaker speaking speech style syllables taste teacher thee thou tion tones utterance Vanishing Stress vocal voice vowels words
Popular passages
Page 144 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Page 174 - Caesar carelessly but nod on him. He had a fever when he was in Spain ; And, when the fit was on him, I did mark How he did shake...
Page 131 - The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one, as before, will chase His favorite phantom ; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee.
Page 110 - Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes ! I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Page 129 - HAIL, holy Light, offspring of Heaven first-born! Or of the Eternal coeternal beam May I express thee unblamed? since God is light, And never but in unapproached light Dwelt from eternity — dwelt then in thee, Bright effluence of bright essence increate!
Page 165 - Julius bleed for justice' sake ? What villain touch'd his body, that did stab, And not for justice ? What, shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus ? — I had rather be a dog, and bay the moon, Than such a Roman.
Page 112 - You say you are a better soldier: Let it appear so; make your vaunting true, And it shall please me well. For mine own part, I shall be glad to learn of noble men. Cas. You wrong me every way, you wrong me, Brutus; I said, an elder soldier, not a better: Did I say better?
Page 210 - Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That shepherd, who first taught the chosen seed, In the beginning how the Heavens and Earth Rose out of Chaos...
Page 150 - This fellow's of exceeding honesty, And knows all qualities, with a learned spirit, Of human dealings. If I do prove her haggard, Though that her jesses were my dear heart-strings, I 'ld whistle her off and let her down the wind, To prey at fortune.
Page 174 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.