The Works of Shakespeare, Volume 11Macmillan Company, 1904 |
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Page xiii
... evidences of the growth of interest in the work of the foremost poet who has used our language . As the peoples who speak that language are driven more and more by their world - wide activities and responsibilities to study their own ...
... evidences of the growth of interest in the work of the foremost poet who has used our language . As the peoples who speak that language are driven more and more by their world - wide activities and responsibilities to study their own ...
Page 23
... evidence the depth and splendour of Marlowe's genius and the lack of balance and restraint in his art . He gave English tragedy sublimity , inten- sity , breadth , and order ; he freed blank verse from rigidity and mechanical ...
... evidence the depth and splendour of Marlowe's genius and the lack of balance and restraint in his art . He gave English tragedy sublimity , inten- sity , breadth , and order ; he freed blank verse from rigidity and mechanical ...
Page 37
... evidence that Shakespeare knew other languages and literatures than his own . His knowl- edge was of the kind which ... evidences that the poet knew Virgil and Ovid , and had not forgotten Lily's grammar and the " Sententiæ Pueriles ...
... evidence that Shakespeare knew other languages and literatures than his own . His knowl- edge was of the kind which ... evidences that the poet knew Virgil and Ovid , and had not forgotten Lily's grammar and the " Sententiæ Pueriles ...
Page 38
... evidence that he understood Italian and French . That he studied the Bible , either in the Genevan version or in the revision of 1568 , is equally apparent . His references to incidents in Biblical history and his use of Biblical ...
... evidence that he understood Italian and French . That he studied the Bible , either in the Genevan version or in the revision of 1568 , is equally apparent . His references to incidents in Biblical history and his use of Biblical ...
Page 47
... narrow path between the hedges is one of those rights of the English people which evidence their sovereignty over possessions , the titles to which have been lodged for centuries in private hands . They silently 47 Shakespeare's Country.
... narrow path between the hedges is one of those rights of the English people which evidence their sovereignty over possessions , the titles to which have been lodged for centuries in private hands . They silently 47 Shakespeare's Country.
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action actors appeared artistic beauty Ben Jonson brought CALIFORN century character charm chronicle plays church classical comedy contemporaries creative deep drama dramatist earlier England English experience expression fact Falstaff feeling force fortunes freedom friends genius Globe Theatre Hamlet hand harmony Henry human humour imagination influence insight instinct interest Italian John Shakespeare Jonson Julius Cæsar kind King later literary literature lived London Love's Labour's Lost lyrical Macbeth manner Marlowe material mind mood moral nature ness noble passion period play players playwright plot poem poet poet's poetic poetry popular presented probably Puritan Queen Rape of Lucrece romance Romeo and Juliet Shake significance Sonnets speare speare's speech spirit stage story Stratford taste temper theatre thought tion Titus Andronicus touch tradition tragedy tragic Venus and Adonis verse vital Warwickshire writing written young youth