The Works of Shakespeare, Volume 6Macmillan Company, 1904 |
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Page 3
... SCENE : Partly in England , and partly in France . DURATION OF TIME Dramatic Time . - Seven days , with intervals , comprising in all not more than three or four months . Day 1. I. I. " " Interval . 2. II . 1. , III . 1. - 3 . Interval ...
... SCENE : Partly in England , and partly in France . DURATION OF TIME Dramatic Time . - Seven days , with intervals , comprising in all not more than three or four months . Day 1. I. I. " " Interval . 2. II . 1. , III . 1. - 3 . Interval ...
Page 10
... scene for scene , retaining the outer mechanism of the plot unchanged , or at most dis- missing into the background events which the earlier dramatist exhibited with genial prolixity on the stage . But he has essentially altered the ...
... scene for scene , retaining the outer mechanism of the plot unchanged , or at most dis- missing into the background events which the earlier dramatist exhibited with genial prolixity on the stage . But he has essentially altered the ...
Page 11
... scene in the monastery . But the character of Falconbridge is put to uses of which the earlier writer did not dream ... scenes are omitted , or replaced by a mere allusion , e.g. the Bastard's visitation of the monasteries . Similarly ...
... scene in the monastery . But the character of Falconbridge is put to uses of which the earlier writer did not dream ... scenes are omitted , or replaced by a mere allusion , e.g. the Bastard's visitation of the monasteries . Similarly ...
Page 14
... scene is derived , not from an accumulation of harrowing details , as to some extent it is in the grim finale of Edward II . , but from the ideal loveliness of childlike character which unfolds itself under the stress of Hubert's threat ...
... scene is derived , not from an accumulation of harrowing details , as to some extent it is in the grim finale of Edward II . , but from the ideal loveliness of childlike character which unfolds itself under the stress of Hubert's threat ...
Page 26
... SCENE I. France . Before Angiers . Enter AUSTRIA and forces , drums , etc. on one side : on the other KING PHILIP of France and his power ; LEWIS , ARTHUR , CONSTANCE and attendants . Lew . Before Angiers well met , brave Austria . 264 ...
... SCENE I. France . Before Angiers . Enter AUSTRIA and forces , drums , etc. on one side : on the other KING PHILIP of France and his power ; LEWIS , ARTHUR , CONSTANCE and attendants . Lew . Before Angiers well met , brave Austria . 264 ...
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arms art thou Arthur Aumerle Bard Bardolph Bast Bastard blood Boling Bolingbroke breath brother Colevile cousin crown dead death dost doth Duch Duke Earl Eastcheap England Enter Exeunt Exit eyes fair faith Falstaff farewell father Faulconbridge fear France friends Gaunt give Glendower grace grief hand Harry Harry Percy hath head hear heart heaven Henry Henry IV Holinshed honour horse Host Hotspur Hubert John of Gaunt King John King Richard Lady Lancaster land liege live look lord majesty Master Mortimer Mowbray never night noble Northumberland Pandulph pardon peace Percy Peto Pist play Poins pray Prince Prince of Wales Queen Rich Richard II SCENE Shakespeare Shal shame Sir John Sir John Falstaff soul speak stand sweet sword tell thee thine thou art thou hast tongue true uncle Westmoreland word York Zounds