Textual Patronage in English Drama, 1570-1640Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, David Bergeron recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, 'Antipodes'. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The book includes an Appendix that lists plays with prefatory dedications and addresses here analyzed. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. |
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Contents
The Printing House and Textual Patronage | 23 |
Pageants Masques and Prefaces | 49 |
Women as Patrons of Drama | 73 |
Marston and Colleagues | 93 |
Shakespeare and Folio Patronage | 141 |
Thomas Heywoods Apology for Readers 16081638 | 159 |
Textual Patronage in the 1630s | 185 |
Lenvoi | 211 |
229 | |
243 | |
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Common terms and phrases
acknowledges actors address to readers appears aristocratic audience authorship become begins Cambridge Chapman chapter claims clearly closes collection construction Countess court cultural Daniel dedication Dekker desire discussion documents dramatic texts dramatists Earl earlier early edition English epistle dedicatory event example favor Folio Ford friends function Henry Herbert Heywood honor hope idea important insists issues James John Jonson judgment kind Lady literary London Lord Marston masque Massinger material matter mayor means moves noble notes offers pageant paratexts patrons Pembroke performance Philip Philotas play playwright political position possible preface prefatory present printed printer produce publication published Queen reading received refers remains Richard Robert San Marino says seek seems Shakespeare Shirley social stage suggests textual patronage theater theatrical Thomas underscores understanding University Press voice Webster women worthy writes written