"But I am not dressed for the opera," said I, embarrassed.

"And why not?" asked Miss Trevanion; then, dropping her voice, she added, "Why do you desert us so wilfully?"-and, leaning her hand on my arm, I was drawn irresistibly into the lobby. The young loungers at the door made way for us, and eyed me, no doubt, with envy.

"Nay!" said I, affecting to laugh, as I saw Miss Trevanion waited for my reply. "You forget how little time I have for such amusements now,—and my uncle—”

"Oh, but mamma and I have been to see your uncle to-day, and he is nearly well-is he not, mamma? I cannot tell you how I like and admire him. He is just what I fancy a Douglas of the old day. But mamma is impatient. Well, you must dine with us to-morrow-promise!-not adieu, but au revoir," and Fanny glided to her mother's arm. Lady Ellinor, always kind and courteous to me, had good-naturedly lingered till this dialogue, or rather monologue,

was over.

On returning to the passage I found Vivian walking to and fro; he had lighted his cigar, and was smoking energetically.

"So this great heiress," said he smiling, "who, as far as I could seeunder her hood-seems no less fair than rich, is the daughter, I presume, of the Mr Trevanion whose effusions you so kindly submit to me. He is

very rich, then? You never said so, yet I ought to have known it: but you see I know nothing of your beau monde-not even that Miss Trevanion is one of the greatest heiresses in England."

"Yes, Mr Trevanion is rich," said I, repressing a sigh—" very rich." 8

"And you are his secretary! My dear friend, you may well offer me patience, for a large stock of yours will, I hope, be superfluous to you."

"I don't understand you." "Yet you heard that young gentleman as well as myself; and you are in the same house as the heiress.' "Vivian!"

"Well, what have I said so monstrous ?"

"Pooh! since you refer to that young gentleman,-you heard, too,

what his companion told him,-'one ought to be an earl, at least, to aspire to Fanny Trevanion !'"

"Tut! as well say that one ought to be a millionnaire to aspire to a million!-yet I believe those who make millions generally begin with pence."

"That belief should be a comfort and encouragement to you, Vivian. And now, good-night,-I have much to do."

"Good-night, then," said Vivian, and we parted.

I made my way to Mr Trevanion's house, and to the study. There was a formidable arrear of business waiting for me, and I sate down to it at first resolutely; but, by degrees, I found my thoughts wandering from the eternal blue-books, and the pen slipped from my hand, in the midst of an extract from a Report on Sierra Leone. My pulse beat loud and quick; I was in that state of nervous fever which only emotion can occasion. The sweet voice of Fanny rang in my ears; her eyes, as I had last met them, unusually gentle- almost beseeching-gazed upon me wherever I turned; and then, as in mockery, I heard again those words, "One ought to

be an earl, at least, to aspire to". Oh! did I aspire? Was I vain fool so frantic?-household traitor so consummate? No, no! Then what did I under the same roof?-why stay to imbibe this sweet poison, that was corroding the very springs of my life? At that self-question, which, had I been but a year or two older, I should have asked long before, a mortal terror seized me; the blood rushed from my heart, and left me cold-icy cold. To leave the house! leave Fanny!never again to see those eyes-never to hear that voice!-better die of the sweet poison than of the desolate exile! I rose-I opened the windows -I walked to and fro the room: I could decide nothing-think of nothing; all my mind was in an uproar. With a violent effort at selfmastery, I approached the table again. I resolved to force myself to my task, if it were only to re-collect my faculties, and enable them to bear my own torture. I turned over the books impatiently, when, lo! buried amongst them, what met my eye-archly, yet reproachfully? the face of Fanny her

686

[Dec. hands took mine; and so-and soAnd innocently, and sister-like, those the picture became visible! There was a dead silence. I looked up through my tears. Fanny had revery flushed, her eyes downcast. I coiled some steps, and her cheek was felt as if I had committed a crime-as repressed-yes, thank Heaven! I reif dishonour clung to me; and yet I pressed the cry that swelled from my heart, that rushed to my lips-"Pity and only a groan escaped me-the me, for I love you!" I repressed it, wail of my lost happiness! Then, rising, I laid the miniature on the table, and said, in a voice that I believe was firm

self! Her miniature was there. It had been, I knew, taken a few days before, by a young artist whom Trevanion patronised. I suppose he had carried it into his study to examine it, and so left it there carelessly. The painter had seized her peculiar expressionher ineffable smile-so charming, so malicious; even her favourite posture, the small head turned over the rounded Hebe-like shoulder-the eye glancing up from under the hair. I know not what change in my madness came over me; but I sank on my knees, and, kissing the miniature again and again, burst into tears. Such tears! I did not hear the door open -I did not see the shadow steal over the floor; a light hand rested on my shoulder, trembling as it rested. I started-Fanny herself was bending

over me!

"What is the matter ?" she asked tenderly. "What has happened?— your uncle-your family-all well? Why are you weeping?"

I could not answer; but I kept my hands clasped over the miniature, that she might not see what they contained. "Will you not answer? Am I not your friend?-almost your sister? Come, shall I call mamma?"

"Yes-yes; go-go."

"No, I will not go yet. What have you there?-what are you hiding?"

WHEN reviewing, in last month's Magazine, the accumulated French novels of the summer, we reserved two, partly on account of incompleteness and tardy arrival, but chiefly as worthy of a separate notice. They belong to a branch of literature not much cultivated in France of late years, but which revives and flourishes by favour of recent convulsions, and of the present feverish political atmosphere of the country. Political satire, even in the gay disguise of fiction, was not quite a safe venture during the reign of Louis Philippe the king. Bearing in mind certain arbitrary infractions of the liberty of the press, it might well have proved a dangerous one under the rule of Cavaignac the dictator. Nevertheless, here are two books of sharp jests, that must be caustic to the cuticle of the heroes and votaries of the republican regime. In style different, their aim is identical: it is nothing less than an exposure of the faults, follies, and deceptions of the French republic. One is comedy, the other broad farce; whilst the latter plunges into burlesque, the former rarely oversteps the limits of polished satire, and often but faithfully depicts-with altered names, but with scarcely a touch of caricature-scenes and personages in the great serio-comic drama enacting in France since February last. There can be no dispute as to the comparative merits of the books, nor, indeed, can a comparison be instituted between them. Jérome Paturot has, in some parts, almost the weight of history, and it would not be surprising to see it hereafter so referred to. It is the work of a man of acknowledged talent, an esteemed and experienced writer, a member of the legislative chamber both before and since the expulsion of the King of the French. If occasionally rather diffuse, M. Louis Reybaud is always witty and shrewd: he is an

acute observer; and, to crown_our praise, he is evidently of stanch Tory principles. There is a strong good sense, a calm contempt of cant and of pseudo-liberalism, a stripping, whipping, and pickling of humbug, in his Jérome Paturot, at any time agreeable to behold, but peculiarly refreshing just now, by its contrast with the folly, hypocrisy, and fanaticism of many of his countrymen. We are glad to find there still are Frenchmen capable of thinking and writing so soundly and sensibly-a fact which, with every disposition to judge the nation favourably, recent events have almost made us doubt. "Jérome Paturot in quest of the best possible Republic" is more than witty, spirited, and amusing. Its strong good sense and sledge-hammer truths may and must influence, in a right direction, the minds of many of its French readers. Should any of these be so obtuse as not fully to appreciate Jérome's sly wit and pungent epigrams, to them Monsieur Bonardin addresses himself, secure of comprehension: him every one will understand. The dramatised narrative of his misadventures, commencing on the morrow of the republic's proclamation, and comprised in thirteen decades, was doubtless suggested by the perusal of Paturot, and this the anonymous author tacitly acknowledges, rather than attempts to conceal. He chooses his hero in the same respectable trade to which Jérome devoted his time and industry, when the ambitious cravings of his restless youth had subsided, and before increasing wealth, the epaulets of a captain of nationals, and the glitter of a citizen-king's court, turned him from the paths of commerce, to climb an eminence whence he finally got a fall. Paturot and Bonardin are both bonnetiers, or hosiers-venders of unpoetical white nightcaps, pointed and tasselled, and of other wares woven

of cotton. Either on account of the prosaic associations suggested by these useful manufactures, or for some other reason, to us unknown, the bonnetier is a favourite character with French writers when they wish to portray a good, simple-hearted, steady-going, pusillanimous Parisian burgess. Bonardin is all this: a bachelor and an epicure, he leads a monotonous but happy existence in the society of Babet and Criquet, his housekeeper and clerk; loves his dinner, his bed, and his ease; and, although a corporal in the national guard, has attained the mature age of fifty-five in profound ignorance of the process of loading and firing a musket. In short, he is the last man in the world to make or meddle with the revolution, whose passive victim, from the mere fact of his lot being cast in Paris, he unfortunately becomes. Paturot is another sort of character. Originally simple enough, his wit has been sharpened by deceptions and reverses. Although to many of our readers M. Reybaud's former works* are already well known, we briefly sketch, for the use of those who have not met with them, the career of Jérome Paturot previously to the advent of the republic. Aspiring, as a young man, to higher occupations than the sale of cottons, he refused a partnership with his uncle, a thriving hosier, to dabble in literature, art, journalism, and various unlucky speculations. Reclaimed at last, he settled down to stockings; married Malvina, a warm-hearted, ready-witted, high-spirited grisette, who had long shared his precarious fortunes; throve apace, went to court, was elected deputy, and at last, by extravagance and mismanagement, found himself ruined, and was fain to retire into a provincial nook, to vegetate upon the wretched salary of a petty government appointment. Here, soured by misfortune, he grumbled himself into republicanism. But when the republic came, he, the only pure and genuine "republican of the eve" in the town, was elbowed aside by mushroom "republicans of the morrow," and deprived of his place;

whereupon his wife sent him to Paris, to recover it or get a better one, and followed him herself, after bringing about, by an active canvass and clever manœuvres, the election to the National Assembly of one Simon—an honest, ignorant miller, with a strong arm, a thick head, and a sonorous voice-at whose house the Paturots had occasionally paused for refreshment in their country walks, and through whom Malvina reckons on advancing her husband's interests, and on commanding a vote in the Chambers.

At Paris, Paturot meets an old friend, Oscar, an artist, remarkable for a large beard and a small talent, and for a vanity that nothing can intimidate. In his society, and in the intervals of his place-hunting-to all appearance a fruitless chase-Jérome begins a course of "Life under the Republic," his rambles and adventures serving as pegs whereon to hang cutting satire of the anomalies and absurdities of the new order of things. At first he is greatly struck by the gay aspect of the town.

"Paris was in continual festivalits busy life exchanged for complete idleness. Eager for amusement, the crowd quitted the workshop, to pick and choose amongst the pastimes offered them. These were abundant; archery, games at the ring, lotteries in the open air-a perpetual fair. It seemed a new Cocaigne, and a people exempt from all cares for the future. Happy shepherds! fortunate sheep! Theological divertisements for those; for these a free field and plenteous pasture. Thus were the parts distributed in this eclogue worthy of Gessner. Now and then, it is true, there were a few more fireworks than were ordered, and some of the illuminations were not quite spontaneous; but these were imperceptible blemishes in a glorious picture. pursuit of an idea, I was tempted to think I had found it realised on my path without trouble or effort, and as a gift of circumstances.

In

"Nevertheless I had my doubts, my fears, that this apparent joy was a

In

mask to mysterious sufferings. these joyous cries and bursts of enthusiasm, there was a something harsh and artificial, which roused my suspicions. At the bottom of this feverish activity, I sought labour, serious labour-the health of the soul and the bread of the body—and I found it not. These men, so ardent in their rejoicings, daily borrowed from the commonwealth a portion of its substance, giving nothing in return. Could this last? Did they themselves think it could? The inquiry was worth making. I addressed myself to persons of all ranks and classes. The problem was simple enough. If the republic was really the joy and pride of France, it of course insured the happiness of individuals."

The result of Jérome's inquiries was that the joy was on the surface, not in the heart. The spectacle he had before him was the pitiable one of a people getting drunk upon its own acclamations, raising a senseless clamour to drown the fiend of misery, which approached their door with swift and certain step. Already the bony foot of the monster was on many a threshhold. Paturot questioned a banker. "Alas!" was the reply,-" see you not what occurs? Twenty first-class banking-houses unable to meet their engagements; others will follow. Those who continue to pay decline business and announce their winding up. Before two months there will be no cashing a bill in all Paris. Every body is suspected-you, I, the bank, the treasury. Credit is lost, confidence extinguished." This was discouraging; but Jérome, not satisfied with one testimony, passed on to a manufacturer. "Manufactures!" said this man, a republican of the very first water-" you ask the state of manufactures, citizen! you might as well ask after a dead man's health. I employed two thousand workmen; now I employ one hundred, and only for humanity's sake do I keep them. Our country asked us to make her a present of two hours' work a-day. We sacrificed our interest to a principle, and did so. But two hours' work is a loss of ten per cent, and as my average gain was only five, you understand I am obliged to stop my looms. If the public would pay a better price

VOL. LXIV.-NO. CCCXCVII.

for our stuffs, well and good; but there seems little chance of that. Poor customers, citizen,—a parcel of ruined men. For half-nothing I would be off to America, with my foremen and my patents." The fundholder's account of the matter was no better. "Buy my stock?" said he to his interrogator "shall have it cheap. My fives cost me 122, and my threes 84: I had confidence, sir-the word explains every thing. Now the threes are at 34, and the fives at 50. I have railway shares of all the lines-Orleans, North, Rouen, &c. God knows the hard cash I paid for them! Today they are worth the paper: here they are, blue, green, and red. I would as soon have shares in the Mississippi. I had treasury bonds— cash lent, payable at will; I reckoned on it. Door shut. Come another day, my good man, and we will see what we can do. If you are in a hurry, go on 'Change. You will get 500 francs for 1000." Heart-sick, Paturot descended the social scale, but the song was every where the same. "I fought in July and in February," said the shopkeeper; "I helped to take the Louvre and the Tuileries; I was seen upon the barricades, musket in hand. What is my reward? a shop full of goods, and an empty till. For two months past, not a purchaser. Debtors will not pay, and creditors will be paid." As a last forlorn hope, Jérome accosted an artisan. "You want to know my opinion, citizen? You shall have it, in two words. The thing is a failure, and must be done over again. 'Lend a hand to the Revolution,' they said to us, and this time you shall not be forgotten.' Very good; word passed, bargain accepted. In a turn of the hand, the thing is done. Here are your goods, where's your money? There the difficulty began. 'Let us organise labour,' they exclaimed at the Luxembourg. Very well; organise, citizens-take your time. The workman has his savings, he will wait. Three days, four days, pass in speeches, embraces, mutual congratulations. The workman has deputed comrades who sit upon the benches of the peers; it is always an honour, if it does not fill the belly. He takes patience, and forgets himself for the general good, until

2 Y