Modernism, Narrative and Humanism

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Cambridge University Press, 2002 M08 1 - 234 pages
In Modernism, Narrative and Humanism, Paul Sheehan attempts to redefine modernist narrative for the twenty-first century. For Sheehan modernism presents a major form of critique of the fundamental presumptions of humanism. By pairing key modernist writers with philosophical critics of the humanist tradition, he shows how modernists sought to discover humanism's inhuman potential. He examines the development of narrative during the modernist period and sets it against, among others, the nineteenth-century philosophical writings of Schopenhauer , Darwin and Nietzsche. Focusing on the major novels and poetics of Conrad, Lawrence, Woolf and Beckett, Sheehan investigates these writers' mistrust of humanist orthodoxy and their consequent transformations and disfigurations of narrative order. He reveals the crucial link between the modernist novel's narrative concerns and its philosophical orientation in a book that will be of compelling interest to scholars of modernism and literary theory.
 

Contents

INTRODUCTION The anthropometric turn
1
1 Narrating the animal amputating the soul
24
homo ex machina
56
after the fall
87
time out of mind
121
voices descant stories still
150
CONCLUSION Humanness unbound
180
Notes
193
Bibliography
217
Index
231
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About the author (2002)

Paul Sheehan is a Sydney-based writer and researcher. He studied at Birkbeck College, London, and has published articles on Dickens and Beckett.

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