...from the human imagination. The mystery of esthetic like that of material creation is accomplished. The artist, like the God of the creation, remains...of existence, indifferent, paring his fingernails. — — Trying to refine them also out of existence — said Lynch. A fine rain began to fall from...

...from the human imagination. The mystery of esthetic like that of material creation is accomplished. The artist, like the God of the creation, remains...refined out of existence, indifferent, paring his fingernails.-1— Trying to refine them also out of existence — said Lynch. A fine rain began to...

...from the human imagination. The mystery of esthetic like that of material creation is accomplished. The artist, like the God of the creation, remains...of existence, indifferent, paring his fingernails. This progress you will see easily in the succession of Joyce's works. The cry becomes a cadence in...

...widersetzt er sich, so Jeffrey Berman, "the Joycean injunction of the impersonal Godlike artist who 'remains within or behind or beyond or above his handiwork, invisible, refined out of existence'". 5 Roth tut dies, jedoch ohne vermeintlich unmittelbar autobiographische Entsprechungen an die Stelle...

...not simply give ditect expression to his reelings. He compared the artist to the God of cteanon who 'remains within or behind or beyond or above his handiwork, invisible, refined out of exisrence, indifferent, paring his fingernails'. April 26 Mother is putring my new secondhand clothes...

...of impersonality which brackets the artist, making of him a god who dwells, in the now famous words, "within or behind or beyond or above his handiwork, invisible, refined out of existence, paring his fingernails." The parody, in effect, calls the artist back into existence — for to Beckett...

...petsonality of the artist . . . refines itself out of exisrence, impetsonalises itself, so to speak. The artist, like the God of the creation, remains within or behind ot beyond or above his handiwork, invisible, refined out of exisrence, indifferent, paring his fingernails....

...withered soul, employs a vocabulary already saturated with meaning from repeated use. When he says The artist, like the God of the creation, remains...of existence, indifferent, paring his fingernails, we may note that fingernails have been pared before — and will be pared again, as in Ulysses, where...

...suppose, a biographer begins with or confronts a legend, a myth. Stephen Dedalus insists that the true artist, "like the God of the creation, remains within...refined out of existence, indifferent, paring his fingernails."20 But in reality Joyce was no more aloof or invisible within his work than any other...

...Proximity, life enmired, produces distance — Malinowski's ethnographer becomes Joyce's "artist," who, "like the God of the creation, remains within or behind...of existence, indifferent, paring his fingernails" (215). Joyce critics have sometimes gone to great, even absurd, lengths to claim Joyce's omnipotent...