Liberation of the ActorTemple Lodge, 1992 - 148 pages The artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization? Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today. |
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Page 52
... Desdemona is overwhelmed by Othello's behaviour and Othello is ' assertive ' in his judgement of her . Allow the invisible gesture to appear in voice and gesture . FROM OTHELLO , ACT III , SCENE IV OTHELLO . How do you , Desdemona ?
... Desdemona is overwhelmed by Othello's behaviour and Othello is ' assertive ' in his judgement of her . Allow the invisible gesture to appear in voice and gesture . FROM OTHELLO , ACT III , SCENE IV OTHELLO . How do you , Desdemona ?
Page 53
... DESDEMONA . I cannot speak of this . Come now , your promise . OTHELLO . What promiso , chuck ? DESDEMONA . I have sent to bid Cassio come speak with you . OTHELLO . I have a salt and sorry rheum offends me ; Lend me thy handkerchief ...
... DESDEMONA . I cannot speak of this . Come now , your promise . OTHELLO . What promiso , chuck ? DESDEMONA . I have sent to bid Cassio come speak with you . OTHELLO . I have a salt and sorry rheum offends me ; Lend me thy handkerchief ...
Page 54
... DESDEMONA . Indeed ! is't true ? OTHELLO . Most veritable ; therefore look to ' t well . DESDEMONA . Then would to God that I had never seen't ! OTHELLO . Ha ! wherefore ? DESDEMONA . Why do you speak so startingly and rash ? OTHELLO ...
... DESDEMONA . Indeed ! is't true ? OTHELLO . Most veritable ; therefore look to ' t well . DESDEMONA . Then would to God that I had never seen't ! OTHELLO . Ha ! wherefore ? DESDEMONA . Why do you speak so startingly and rash ? OTHELLO ...
Contents
The Foundation | 12 |
Effective Speaking in the Theatre | 31 |
The Wind Machine | 49 |
Copyright | |
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Common terms and phrases
acting action activity actor appears approaching artist attitude audience aware become begin believe body breath bring carried CHAPTER character Clifford comes complete consonants create dance DAVID dead describe DESDEMONA develop drama dynamic effective energy epic exercise experience expression eyes familiar FATHER fear feeling Finally force forward gesture give HAMLET hand hear hold human idea imagination inner invisible leave listener live look lost lyric mean mime mood MOTHER mouth move movement nature object OTHELLO perform perhaps physical picture play position preparation Press push reach release remember scene sense silence situation soul sound space speaker speaking spear speech spoken stage stand stepping style theatre things thou thought throwing true turn voice vowel weight wish