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MADAME DE SÉVIGNÉ

(MARIE DE RABUTIN-CHANTAL, MARQUISE DE SÉVIGNÉ)

(1626–1696)

ADAME DE SÉVIGNÉ, perhaps the most celebrated letter writer of modern times, was born at Paris, February 6th, 1626. She was carefully educated by her family, and at eighteen was married in the usual French way to the Marquis de Sévigné, by whom she had a daughter and a son. Her husband, who did not make her happy, was killed in a duel, and his widow devoted herself to the care of her children with such success that the letters written by her to her daughter are now read all over the civilized world. She died April 18th, 1696.

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AM going to tell you a thing, the most astonishing, the most surprising, the most marvelous, the most miraculous, the most. magnificent, the most confounding, the most unheard-of, the most singular, the most extraordinary, the most incredible, the most unforeseen, the greatest, the least, the rarest, the most common, the most public, the most private till to-day, the most brilliant, the most enviable; - in short, a thing of which there is but one example in past ages, and that not an exact one either; a thing that we cannot believe at Paris; how, then, will it gain credence at Lyons? a thing which makes everybody cry, "Lord have mercy upon us!" a thing which causes the greatest joy to Madame de Rohan and Madame de Hauterive; a thing, in fine, which is to happen on Sunday next, when those who are present will doubt the evidence of their senses; a thing which, though it is to be done on Sunday, yet perhaps will not be finished on Monday. I cannot bring myself to tell you; guess what it is. I give you three times to do it in. What, not a word to throw at a dog? Well, then, I find I must tell you. Monsieur de Lauzun is to be married next Sunday at the Louvre, to pray guess to whom! I give you four times to do it in, I give you six,

I give you a hundred. Says Madame de Coulanges: "It is really very hard to guess; perhaps it is Madame de la Vallière.»

Indeed, madame, it is not. It is "Mademoiselle de Retz, then." No, nor she either; you are extremely provincial. "Lord bless me," say you, "what stupid wretches we are! it is Mademoiselle de Colbert all the while." Nay, now you are still further from the mark. "Why, then, it must certainly be Mademoiselle de Crequy." You have it not yet. Well, I find I must tell you at last. He is to be married next Sunday at the Louvre, with the king's leave, to Mademoiselle-Mademoiselle de- Mademoiselle -guess, pray guess her name; he is to be married to Mademoiselle, the great Mademoiselle; Mademoiselle, daughter to the late Monsieur; Mademoiselle, granddaughter of Henry IV; Mademoiselle d'Eu, Mademoiselle de Dombes, Mademoiselle de Montpensier, Mademoiselle d'Orleans, Mademoiselle, the king's cousin-german,- Mademoiselle, destined to the throne,- Mademoiselle, the only match in France that was worthy of Monsieur. What glorious matter for talk! If you should burst forth like a bedlamite, say we have told you a lie, that it is false, that we are making a jest of you, and that a pretty jest it is, without wit or invention; in short, if you abuse us, we shall think you are quite in the right; for we have done just the same things ourselves. Farewell, you will find by the letters you receive this post, whether we tell you truth or not.

Monsieur de Coulanges. Paris,
December 15th, 1670.

My Dear Child:

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AN ARTISTIC FUNERAL

MUST return to narration, it is a folly I can never resist. Prepare, therefore, for a description. I was yesterday at a service performed in honor of the Chancellor Segnier at the Oratory. Painting, sculpture, music, rhetoric,- in a word, the four liberal arts,were at the expense of it. Nothing could exceed the beauty of the decorations; they were finely imagined, and designed by Le Brun. The mausoleum reached to the top of the dome, adorned with a thousand lamps, and a variety of figures characteristic of him in whose honor it was erected. Beneath were four figures of Death, bearing the marks of his several dignities, as having taken away his honors with his life. One of

them held his helmet, another his ducal coronet, another the ensigns of his order, another his chancellor's mace. The four sister arts, painting, music, eloquence, and sculpture, were represented in deep distress, bewailing the loss of their protector. The first representation was supported by the four virtues, fortitude, temperance, justice, and religion. Above these, four angels, or genii, received the soul of the deceased, and seemed pruning their purple wings to bear their precious charge to heaven. The mausoleum was adorned with a variety of little seraphs, who supported an illuminated shrine, which was fixed to the top of the cupola. Nothing so magnificent or so well imagined was ever seen; it is Le Brun's masterpiece. The whole church was adorned with pictures, devices, and emblems, which all bore some relation to the life, or office, of the chancellor; and some of his noblest actions were represented in painting. Madame de Verneuil offered to purchase all the decoration at a great price; but it was unanimously resolved by those who had contributed to it, to adorn a gallery with it, and to consecrate it as an everlasting monument of their gratitude and magnificence. The assembly was grand and numerous, but without confusion. I sat next to Monsieur de Tulle, Madame Colbert and the Duke of Monmouth, who is as handsome as when we saw him at the palais royal. (Let me tell you in a parenthesis, that he is going to the army to join the king.) A young father of the Oratory came to speak the funeral oration. I desired Monsieur de Tulle to bid him come down, and to mount the pulpit in his place; since nothing could sustain the beauty of the spectacle, and the excellence of the music, but the force of his eloquence. My child, this young man trembled when he began, and we all trembled for him. Our ears were at first struck with a provincial accent; he is of Marseilles, and called Lené. But as he recovered from his confusion, he became so brilliant; established himself so well; gave so just a measure of praise to the deceased; touched with so much address and delicacy all the passages in his life where delicacy was required; placed in so true a light all that was most worthy of admiration; employed all the charms of expression, all the masterly strokes of eloquence, with so much propriety and so much grace, that every one present, without exception, burst into applause, charmed with so perfect, so finished a performance. He is twenty-eight years of age, the intimate friend of M. de Tulle, who accompanied him when he left the assembly. We were for naming him.

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the Chevalier Mascaron, and I think he will even surpass his friend. As for the music, it was fine beyond all description. Baptiste exerted himself to the utmost, and was assisted by all the king's musicians. There was an addition made to that fine "Miserere," and there was a Libera" which filled the eyes of the whole assembly with tears; I do not think the music in heaven could exceed it. There were several prelates present. I desired Guitaut to look for the good Bishop of Marseilles, but we could not see him. I whispered him, that if it had been the funeral oration of any person living, to whom he might have made his court by it, he would not have failed to have been there. This little pleasantry made us laugh, in spite of the solemnity of the ceremony. My dear child, what a strange letter is this! I fancy I have almost lost my senses! What is this long account to you? To tell the truth, I have satisfied my love of description. Written from Paris, May 6th, 1672, to her daughter.

WHE

TO MADAME DE GRIGNAN

HEN we reckon without Providence, we must frequently reckon twice. I was dressed from head to foot by eight o'clock; I had drunk my coffee, heard mass, taken leave of everybody, the mules were loaded, and the tinkling of their bells gave me notice that it was time to mount my litter; my room was full of people, entreating me not to think of setting out on account of the heavy rain which had fallen incessantly for several days, and was then pouring more violently than ever; but I resisted all their arguments, resolving to abide by the promise I made you in my letter of yesterday, of being with you by Thursday, at furthest: at that very instant, in came M. de Grignan in his nightgown and slippers, and talked to me very gravely of the rashness of such an undertaking, saying that the muleteer would not be able to follow the litter; that my mules would fall into some ditch on the road; that my people would be so wet and fatigued that they would not be able to lend me assistance; so that I changed my mind in a moment, and yielded to his sage remonstrances: and now, my dear child, the trunks are brought back, the mules are unharnessed, the footmen and maids are drying themselves by the fire, for they were wet

through in only crossing the courtyard; and I dispatch you this messenger, knowing your goodness will make you uneasy, and wishing to lessen my own uneasiness, being very anxious about your health; for this man will either bring me word here, or meet one on the road. In short, my dear, he will be with you at Grignan on Thursday instead of me; and I shall set out the first moment it pleases God and M. de Grignan, who is become absolute master of me, and well knows my reasons for wishing so much to be at Grignan. I should be glad if this affair could be kept a secret from M. de la Garde, for he will take a most unmerciful pleasure in finding everything turn out as he foretold; but let him take care, and not grow vain upon this pretended gift of prophecy.

Lambesc, 1672.

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