ALBERTI (Leone Battista). Architecture, Painting, and Statuary, translated into Italian by Cosimo Bartoli, and now first into English by James Leoni; Italian and English. London, 1726. 2 vols. folio. Plates. ALBINUS (Bernhard Siegfried). Tabulæ sceleti et musculorum corporis humani. Londini, 1749. Folio. Plates. Explanation of his Anatomical Figures of the Human Skeleton and Muscles. Translated from the Latin, with the Explanation of the Supplement to Albinus. London, 1754. 4to. The Six Tables of Albinus. See BRISBANE (J.). The Anatomy of Painting. ALBRIZZI (G. B.). See PIAZZETTA (Giambattista). ALGARDI (Alessandro). See CARRACCI (Annibale). Le Arti di Bologna. ALGAROTTI (Count Fr.). Essay on Painting [translated from the Italian]. London, 1764. 12mo. ALHAMBRA. See JONES (Owen) and Jules Goury. Plans, sections, etc., of the Alhambra. See LEWIS (John F.). Sketches of the Alhambra. ALLEGRI, detto il CORREGGIO (Antonio). See CORREGGIO. ALLEGRINI (Giuseppe). Serie di Ritratti d' uomini illustri Toscan con gli elogj istorici dei medesimi. Firenze, 1766-73. 4 vols folio. Portraits. ALLEN (C. Bruce). Catalogue of the Autotype facsimiles of the Frescoes in the Sixtine Chapel. See MICHEL Angelo Buonarroti. ALLORI, detto il Bronzino (Angiolo). I Salterelli del Bronzino ittore; da Pietro Dazzi. Bologna, 1863. 12mo. Sonetti di Angiolo Allori detto Il Bronzino ed altre Rime inedite di più insigni poeti [pubblicati da Domenico Moreni]. Firenze, 1823. 4to. ALLSTON, A.R.A. (Washington). Outlines and Sketches by Washington Allston, engraved by J. and S. W. Cheney. Boston, 1850. Oblong folio. 20 plates and engraved title. ALOE (Stanislao d'). See SOLARIO (Antonio de). Pitture. ALSACE. See GERARD (Charles). Les Artistes de l'Alsace pendant le moyen-âge. AMADUTIUS (Joannes Christ). See VENUTUS (R.) et J. C. Amadutius. Vetera Monumenta in Hortis Caelimontanis. AMAND-DURAND (M.). See VAN DYCK (Ant.). AMÉ (Émile). Les Carrelages Émaillés du moyen-âge et de la renaissance, précédés de l'histoire des anciens pavages, mosaïque, labyrintes, dalles incrustées. Paris, 1859. 4to. Coloured plates and woodcuts. AMERICA (North). See [GRANNIS (T. C.)]. See HALL (Capt. Basil). Travels in North America. See HOLMAN (J.). Voyage Round the World. See MCKENNY (Thomas L.). History of the Indian Tribes of North America. AMERICA (South). See HALL (Capt. B.). Extracts from a Journal on the Coasts of Chili, Peru, and Mexico. AMES (Joseph). See WREN (Sir C.). Parentalia. AMMAN (Jost). Koch und Kellermeisterei, daraus man alle Heimligkeit des Kochens zu lernen hat, von allen Speissen wie man bereiten sol, sampt eines jeden essens wirckung durch Meister Sebastian N. Röm. Key. M. gewesener Mundkoch. Franckfurt am Mayn, bei Sigismund Feyrabend, 1581. Sm. 4to. 34 plates and register. Wapen des Heiligen Römischen Reichs Teutscher Nation, als Keyserlicher und Königlicher Mayestät, auch der Churfürsten, Fürsten, Grafen, Freyherrn, Rittern, und der mehrer Theil Stätt so dem Reich (in Teutschem Land gelegen) gehören und gehört haben. Franckfurt am Mayn, 1579. Folio. Woodcuts (signed I. K.), representing men-at-arms carrying banners with coats-of-arms. Clerus totius Rom. Ecclesiæ, h. e. Pontificiorum ordinum omnium omninò utriusque sexus habitus figuris expressus, et antehac adjectis Francisci Modii singulis octostichis, nunc autem oppositis Joann. Adami Loniceri rhythmis Germanicis nitidior in lucem denuo prolatus. Franckfurt am Mayn, 1661. Woodcuts of costumes. 4to. Jobst Amman, Zeichner und Formschneider, Kupferätzer und Stecher, von C. Becker, nebst Zusätzen von R. Weigel. Leipzig, 1854. Sm. 4to. Woodcuts. See MODIUS (Franciscus). Pandectæ Triumphales. AMORETTI (Carlo). See VINCI (Leonardo da). Memorie storiche. AMORINI (Marchese Antonio Bolognini). Vite de' Pittori ed Artefici Bolognesi. Bologna, 1842. 5 vols. in two, 8vo. AMSTERDAM. STADHUIS, now the PALACE. See CAMPEN (Jacob v.). Afbeelding van't Stadt - Huys van Amsterdam. MUSEUM. Notice des tableaux exposés au musée d'Amsterdam. See CATALOGUES. Public Collections. Amsterdam. ANACREON. Anacréon; Recueil de Compositions, dessinées par Girodet, et gravées par Chatillon, avec la traduction en prose des odes par Girodet, publié par les soins de Becquerel et P. A. Coupin. Paris, 1825. 4to. 54 plates. ANACREON. Translated by F. Fawkes. See POETRY. British Poets; vol. 89. ANATOMY. Studies of Anatomy and Proportion, for the use of Artists, by an Amateur. Edinburgh, 1839. 4to. 15 plates. ANCONA. See RICCI (A.). Memorie delle arti e degli artisti della marca di Ancona. ANDERDON (James Hughes). Catalogues of the Exhibitions of the Royal Academy of Arts, 1769-1850, with a supplementary volume; the whole interleaved and illustrated with a very large number of prints, portraits, drawings, autographs, newspaper cuttings, original remarks, and other interesting memoranda, the work of J. H. Anderdon, Esq., and by him presented to the Library of the Royal Academy of Arts. 14 vols. 4to. ANDERSON (Robert). See POTTER (John). Archæologia Græca. ANDREA del Castagno. See CASTAGNO (Andrea del). ANDREA Vannucchi, detto del Sarto. ANDREWS (G. T.). See JACKSON (J. G.) and G. T. Andrews. ANDROUET DU CERCEAU (Jacques). Le premier volume des plus excellens Bastiments de France, auquel sont designez les plans de quinze Bastiments et de leur contenu, ensemble les elevations et singularitez d'un chascun. Paris, 1576. First edition. Folio. 67 plates. Second Livre d'Architecture, contenant plusieurs ordonnances de Cheminées, Lucarnes, Portes, Fonteines, Puits et Pavillons; avec les desseins de dix sepultures toutes différentes. Paris, 1561. First edition. Folio. 68 plates. ANECDOTES of some distinguished persons, chiefly of the present and two preceding centuries. London, 1795. 3 vols. 12mo. Portraits and plates. ANET. See PFNOR (R.). Monographie du château d'Anet, construit par Philibert de l'Orme en 1548. ANGELICO da Fiesole (Fra Giovanni). S. Marco, Convento dei Padri Predicatori in Firenze illustrato ed inciso principalmente nei dipinti del B. Giovanni Angelico, con la vita dello stesso e un sunto historico del Convento; di Vincenzo Marchese. Firenze, 1853. Folio. 40 plates on india paper. Il Tabernacolo del B. Angelico nella Sagrestia di Santa Maria Novella di Firenze. Firenze, 1854. Folio. No text. 5 plates. La Vita di Gesù Cristo dipinta da Fra Giov. da Fiesole, detto il Beato Angelico, lucidata dagli originali che si conservano nella Galleria Fiorentina disegnata ed incisa da Gio. Batt. Nocchi. Firenze, 1843. Folio. 36 plates. (9) ANGELICO da Fiesole (Fra Giovanni). Life of Beato Angelico da Fiesole, translated from the French of E. CARTIER, with Introduction on the principles of Christian Art. London, 1865. 8vo. Frontispiece. ANGERSTEIN Gallery. See GALLERIES. Private. Angerstein. ANNALS of the Fine Arts [edited by James ELMES and B. R. HAYDON], 1816-20. London, 1817-20. Vols. 1-5 (all published). 5 vols. 8vo. Plates. ANNE, Princess of Orange. Convoi-funèbre de S.A.R. Anne, princesse royale de la Grande Bretagne, princesse douairière d'Orange et de Nassau, Gouvernante des Provinces-Unies, etc., exécuté le 23 Fevrier 1759, dessiné exactement par P. C. La Fargue et gravé par Simon Fokke. La Haye, 1761. (16 plates.).-Description de la Chambre et Lit de Parade dans lequel le corps de S.A.R. a été exposé. [Dessinés par M. de Swart et gravés par M. S. Fokke.] La Haye, 1759. (3 plates.) 2 pts. in one vol. folio. French and Dutch text. ANTIQUARIES of London (The Society of). Archæologia: or miscellaneous tracts relating to antiquity, published by the Society of Antiquaries of London. London, 1770-1873. 44 vols. 4to. Index to the first 15 volumes. London, 1809. 4to. vols. 16-30. Ibid. 1845. 4to. Proceedings of the Society of Antiquaries of London. Second series, 1859 to 187. London, 1859-187. Vols. I to . 8vo. Liber quotidianus Contrarotulatoris Garderobæ anno regni Edwardi I. 28, A.D. 1299-1300, ex codice MS. in bibliotheca sua asservato typis edidit Soc. Antiq. Lond. [curavit Jo. Topham]. Londini, 1787. 4to. A collection of Ordinances and Regulations for the government of the Royal Household, made in divers reigns from Edward III. to William and Mary, also Receipts in ancient cookery. London, Soc. of Antiquaries, 1790. 4to. Views of the Chapel of St. Thomas, on London Bridge (2 plates); View of Lincoln's Inn Chapel (I plate); View of the Market Cross at Chichester (1 plate); View of the Charity Children on the occasion of Q. Anne's procession to St. Paul's, July 17, 1713 (2 plates): engraved by George Vertue.-Views of the ruins of Stanton Harcourt in Oxfordshire, drawn and etched by Earl Harcourt (4 plates). Together in one vol. folio. See AYLOFFE (Sir Joseph). See CATALOGUES. Books. Antiquaries (Soc. of). See CATHEDRALS. See VERTUE (G.). See VETUSTA Monumenta. See WEBB (P. C.). ANTIUM. See FONTANA (C.). Antio e sue Antichità. ANTOLDI (Francesco). Guida pel forestiere che brama di conoscere le opere più pregevoli di Belle Arti nella città di Mantova. Seconda edizione. Mantova, 1817. 12mo. Frontispiece. ANTWERP. See DUMOULIN (E. G.). Le Congrès Artistique d'Anvers. See GEVAERT (Gasp.). Pompa introitus Ferdinandi Austriaci, Belg. et Burg. gubernatoris a S. P. Q. Antwerp. decreta et adornata. GUIDE DES ÉTRANGERS. See CATALOGUES. Public Collections. Antwerp. See CATALOGUES. Public Collections. Antwerp. Translated with Notes, by W. Preston. See POETRY. British Poets; vols. 90 and 91. APPIANI (Andrea). Fasti di Napoleone disegnati e dipinti dal cav. A. Appiani. Senza nota [1810?]. Obl. folio. No text. 32 plates. APULEIUS (Lucius). The Fable of Cupid and Psyche, translated from the Latin of Apuleius, with a poetical paraphrase of the Speech of Diotima, four Hymns, etc. [by Thomas Taylor]. London, 1795. 12mo. AQUILA (Franc.). Picturæ Raphaelis. See RAPHAEL. Paintings in the Vatican. AQUILA (Petrus). See CARRACCI (Annibale). Galleria Farnesianæ Icones. ARABIA. See ROBERTS (D.). The Holy Land, Syria, Idumea, Arabia, etc. ARAGON. Reseña de la pintura en la corona de Aragon por Valentin Carderera y Solano. See MARTINEZ (J.). ARBUTHNOT (Charles). Tables of Ancient Coins, Weights, and Measures, explained and exemplified in several dissertations. London, 1727. 4to. 34 plates. ARCHITECTURAL Publication Society. |