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And how felt he, the wretched man
Reclining there, while inemory ran
O'er many a year of guilt and strife,
Flew o'er the dark field of his life,
Nor found one sunny resting place,
Nor brought him back one branch of grace?
• There was a time,” he said in mild,
Heart-humbled tones, “ thou blessed child !
When, young and haply pure as thou,
I looked and prayed like thee; but now-
He hung his head; each nobler aim

And hope and feeling which had slept
From boyhood's hour, that instant came

Fresh o'er him, and he wept-he wept !

Moore was the author of another romantic poem which may be briefly mentioned here. It is entitled The Loves of the Angels, and is founded upon the following passage in Genesis vi.: "And it came to pass in those days that the sons of God saw the daughters of men that they were fair; and they took them wives of all they chose.” This poem is decidedly inferior to Lalla Rookh. The remoteness of the time in which the action is represented to have occurred, and the peculiar character of the actors, prevent us from entering into sympathy with the thoughts and feelings expressed in the poem, and serve to destroy entirely our interest in the narrative. Byron's “Mystery,” entitled Heaven and Earth, published in 1822, is very similar in conception, being founded upon the same passage of Scripture. Charles Lamb ridiculed it in a burlesque poem called Satan in Search of a Wife (1831).

In our study of Poetical Romances we have wandered with our poets to many lands and among many peoples. With the rude versifiers of the Middle Ages we have listened to the legendary lore of the Danes and Saxons, and to the marvelous stories of the returned Crusaders; with Tennyson and the host of King Arthur rhymesters we have become acquainted with the delightful myths of

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Wales and of early Britain ; with Scott we have studied the wild but beautiful traditions of the Scottish highlands; with Byron we have rambled among the enervating scenes and listened to the voluptuous stories of Oriental life; with Moore we have viewed the gorgeous splendors of the far East and been entranced with its impassioned music. Let us close this study by turning with the poet, William Morris, to the grand old hero-legends of our Scandinavian ancestors and kinsmen.

The Story of Sigurd the Volsung, by William Morris, was published in 1876. It is a romance derived from the Eddas and the old Norse Sagas. The metre of the poem is peculiar, and the language is exceedingly beautiful. Alliteration is frequently employed with striking effect, and there are but few words in the entire work which are not of Anglo-Saxon derivation. The following is the opening stanza, describing the dwelling-place of King Volsung:

There was a dwelling of kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with

gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its

floors,
And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle adown the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate;
There the gods were unforgotten, yea while they walked with men,
Though e'en in that world's beginning rose a murmur now and

again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's

Praise.

The first book relates the story of the Volsungs and how Sigmund, the father of Sigurd, was slain. The second tells

of the birth and the childhood of Sigurd, how he slew Fafnir the dragon, and awoke Brynhild upon the Hindfell mountain. The third book describes the meeting of Sigurd with the Niblungs, his deceiving of Brynhild, his marriage with Gudrun, and closes with his own death and that of Brynhild. The fourth book relates the subsequent fortunes of the Niblungs, and how, through Gudrun's influence, they were destroyed and Sigurd was avenged. The following passages will be of special interest to the student:

How Sigurd getteth to him the horse that is called Greyfell. Book II.

Regin's story of the treasure on Gnita Heath. Book II.

The dialogue between Sigurd and the Face of Terror. Book II.

Of the slaying of Sigurd the Volsung. Book III.

They are gone—the lovely, the mighty, the hope of the ancient

Earth: It shall labor and bear the burden as before that day of their

birth : It shall groan in its blind abiding for the day that Sigurd hath

sped, And the hour that Brynhild hath hastened, and the dawn that

waketh the dead : It shall yearn, and be oft-times holpen, and forget their deeds no

more, Till the new sun beams on Balder and the happy sealess shore.

REFERENCES.

In Sismondi's History of the Literature of Southern Europe is a chapter on the literature of the Trouvères and Troubadours. Also in Van Laun's History of French Literature. See also Troubadours and Trouvères, by Harriet W. Preston. (New York, 1876.)

For further information regarding the metrical romances of the Transition Period, consult

Ellis's Early English Metrical Romances, in Boha's Antiquarian Library.

Warton's History of English Poetry.

Ritson's Ancient English Metrical Romances.
Percy's Reliques. Book VII.

Many of these old romances are included in the publications of the Early English Text Society. (Information in regard to these may be had of Prof. F. J. Child, Harvard College, Cambridge, Mass., who is the American Secretary for the Society.)

For the romances of Arthur, see the works already mentioned; also
Cox's Popular Romances of the Middle Ages.
Sharon Turner's History of the Anglo-Saxons.
Tennyson's Idylls of the King (1873).
For criticisms on Scott's romantic poems, see
Hazlitt's Spirit of the Age.
Carlyle's Essay on Sir Walter Scott.
Taine's English Literature.
Scott, by R. H. Hutton, in English Men of Letters.
Shaw's Manual of English Literature.

Read also, in this connection, the history of Scotland from the earliest period to the reign of James V., and especially that part relating to the time of Bruce. For lighter reading, the student will be interested in

Miss Porter's The Scottish Chiefs.

Sir Walter Scott's Rob Roy ; Fair Maid of Perth; Old Mortality; and The Legend of Montrose.

Barbour's Gestes of King Bruce was reprinted in 1869.
For criticisms on Byron, see
Life, Letters, and Journals of Lord Byron, by Thomas Moore (1830).
Hazlitt's Spirit of the Age.
Macaulay's Essay on Moore's Life of Byron.
Kingsley's Miscellanies.
Byron, by John Nichol, in English Men of Letters.
Selected Poems of Lord Byron. Introduction by Matthew Arnold.
Taine's English Literature. Vol. IV.
For criticisms on Moore, see
IIazlitt's English Poets.
W. C. Roscoe's Essays.
The Poems of Thomas Moore. Introduction by W. M. Rosetti.

An American edition of Sigurd the Volsung was published in New York in 1879. The student who wishes to know more of the grand old myth upon which this romance is founded is referred to Mallet's Northern Antiquities (Bohn); to Lettsom's Fall of the Nibelungers (London, 1876); to Auber Forestier's Echoes from Mist Land (Chicago, 1878); and to Anderson's Norse Mythology.

CHAPTER IV.

STORY-TELLING POETRY.

Geoffrey Chaucer—The Canterbury Tales—The Knight's Tale-The

Clerk's Tale, etc.-Criticisms on Chaucer-Difficulties in Reading Chaucer—No Story-Telling Poetry in the Sixteenth and Seventeenth Centuries—Scott's Shorter Narrative Poems-Rokeby—Bridal of Triermain-Harold the Dauntless—Byron-Mazeppa-The Prisoner of Chillon—George Crabbe-Phebe Dawson-Strolling PlayersWilliam Wordsworth—The White Doe of Rylstone-Peter BellSamuel Taylor Coleridge—The Ancient Mariner-Christabel-Southey -Leigh Hunt's Story of Rimini—Keats—Eve of St. Agnes—Isabella _Thomas Campbell_Walter Savage Landor—Mrs. Hemans—Mrs. Browning-Lady Geraldine's Courtship—Tennyson—The PrincessMaud-Enoch Arden-Aylmer's Field-William Morris-Earthly Paradise-Longfellow—Tales of a Wayside Inn-Evangeline-Miles Standish-Hiawatha-Short Stories-Miscellaneous.

FIRST and chief among the story-tellers in English poetry was Geoffrey Chaucer. The age in which he lived was the most important in the intellectual history of England. Including, as it did, the last years of the Transition Period and the first of the new and more settled order of things, it was the dividing line which marked the beginning of a brighter era in the literary, political, and social annals of the English people. For this reason, therefore, a study of Chaucer's relations with the times in which he lived and with the society in which he moved becomes doubly interesting and important. We shall learn how he was directed and influenced by the intellectual tendencies of his age, and how he, in turn, shaped and controlled those tendencies. "A genuine product of the union of Saxon genius and Norman enterprise,” he did more than any other man to harmonize the discordant elements which had been so long warring with each other, and to establish firmly the national language and literature.

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