The Literature of EcstasyBoni and Liveright, 1921 - 254 pages |
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Page 13
... of utilizing the most artificial metres , and yet never lost sight of the fact that ecstasy was the very life of the poem . Probably no poets in the world have pro- duced such exquisite love poetry as the Arabs ; they INTRODUCTION 13.
... of utilizing the most artificial metres , and yet never lost sight of the fact that ecstasy was the very life of the poem . Probably no poets in the world have pro- duced such exquisite love poetry as the Arabs ; they INTRODUCTION 13.
Page 15
... metres , made Prometheus and the Furies living beings , was sponsor for a philosophy of divine punishment and often indulged in artificial diction . Had these poets written novels in- stead , conveying just as much genius and ecstasy as ...
... metres , made Prometheus and the Furies living beings , was sponsor for a philosophy of divine punishment and often indulged in artificial diction . Had these poets written novels in- stead , conveying just as much genius and ecstasy as ...
Page 25
... metre are inspired and possessed ; like Bacchic maidens who draw milk and honey from the rivers when they are under the influence of Dionysus , but not when they are in possession of their mind . And the soul of the lyric poets does the ...
... metre are inspired and possessed ; like Bacchic maidens who draw milk and honey from the rivers when they are under the influence of Dionysus , but not when they are in possession of their mind . And the soul of the lyric poets does the ...
Page 28
... metre in which they are rendered , but because of the rational ecstasy . This ecstasy remains intact even in the English prose translation . Nietzsche divided art into Apollonian and Dionysian . He found that the Dionysian state ...
... metre in which they are rendered , but because of the rational ecstasy . This ecstasy remains intact even in the English prose translation . Nietzsche divided art into Apollonian and Dionysian . He found that the Dionysian state ...
Page 35
... and mystic poetry . He recurs , it is true , to the influence of metre in poetry in inducing ecstasy , but he is always thinkng of the ecstasy of love of man and God as the element of poetry , THE PSYCHOLOGY OF ECSTASY 35.
... and mystic poetry . He recurs , it is true , to the influence of metre in poetry in inducing ecstasy , but he is always thinkng of the ecstasy of love of man and God as the element of poetry , THE PSYCHOLOGY OF ECSTASY 35.
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aesthetic appear Arabian Arabic poetry Aristotle art for art's art's sake artistic Balzac beauty become poetry Bible blank verse called poetry century chapter composition conception critics Croce definition of poetry dreams ecstatic elegy English epic essay expression fact faculty famous feeling fiction figures of speech free verse Greek Hebrew poetry hence high order human Ibn Khaldun Ibsen ideas imagination intellectual intuition language Leaves of Grass lines literary literature of ecstasy literature of power lyric metre metre in poetry metrical modern moral mystic Nietzsche novel Ottoman Poetry parallelism passage passion pattern philosophical play poet's poetic poets prophets prose or verse prose poems prose poetry prose writers reader rhyme rhymed prose rhythm rhythmical prose satire says Shakespeare Shelley social song soul stories theory thou thought tion to-day tragedy translation tropes true unconscious verse poems verse poetry views Whitman word Wordsworth writing written wrote
Popular passages
Page 94 - And now I begin to understand why I was imprisoned so many years in this lonely chamber, and why I could never break through the viewless bolts and bars ; for if I had sooner made my escape into the world, I should have grown hard and rough, and been covered with earthly dust, and my heart might have become callous by rude encounters with the multitude. . . . But living in solitude till the fulness of time was come, I still kept the dew of my youth and the freshness of my heart.
Page 161 - Woe unto them that join house to house, that lay field to field, till there be no place, that they may be placed alone in the midst of the earth...
Page 161 - I hate, I despise your feast days, and I will not smell in your solemn assemblies. Though ye offer me burnt offerings and your meat offerings, I will not accept them: neither will I regard the peace offerings of your fat beasts. Take thou away from me the noise of thy songs; for I will not hear the melody of thy viols. But let judgment run down as waters, and righteousness as a mighty stream.
Page 26 - For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.
Page 68 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Page 95 - Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldst walk the world over, thou shalt not be able to find a condition inopportune or ignoble.
Page 94 - Thou shalt leave the world, and know the muse only. Thou shalt not know any longer the times, customs, graces, politics, or opinions of men, but shalt take all from the muse.
Page 202 - Then I said, I will not make mention of him, nor speak any more in his name. But his word was in mine heart as a burning fire shut up in my bones, and I was weary with forbearing, and I could not stay.
Page 243 - The storm has gone over me ; and I lie like one of those old oaks which the late hurricane has scattered about me. I am stripped of all my honours, I am torn up by the roots, and lie prostrate on the earth ! There, and prostrate there, I most unfeignedly recognize the Divine justice, and in some degree submit to it.
Page 48 - But the communication of pleasure may be the immediate object of a work not metrically composed ; and that object may have been in a high degree attained, as in novels and romances.