The Literature of EcstasyBoni and Liveright, 1921 - 254 pages |
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Page 12
... gives the utterances of other people in ecstatic states , these also are lyrics . Hence every composition whether in verse or prose , that records ecstasy here and there , is lyrical in those parts where the ecstasy is de- picted . The ...
... gives the utterances of other people in ecstatic states , these also are lyrics . Hence every composition whether in verse or prose , that records ecstasy here and there , is lyrical in those parts where the ecstasy is de- picted . The ...
Page 14
... give analyses of the Greek " poetes , " the Latin " vates , " or the Arabian " shair , " for it has been usually conceded that these words all refer in their primary significance to the imaginative work , or ecstatic state of the author ...
... give analyses of the Greek " poetes , " the Latin " vates , " or the Arabian " shair , " for it has been usually conceded that these words all refer in their primary significance to the imaginative work , or ecstatic state of the author ...
Page 20
... give us glimpses of the deity , nor with any attempt to purify us by divesting our soul from the imperfect body and liberating it from the frailties of the flesh . On the contrary , ecstasy is nothing more than accumulated ordinary ...
... give us glimpses of the deity , nor with any attempt to purify us by divesting our soul from the imperfect body and liberating it from the frailties of the flesh . On the contrary , ecstasy is nothing more than accumulated ordinary ...
Page 26
... give , besides the above passage , as an illustra- tion of Plato's own prose poetry , part of a speech by Alcibiades . It is at the conclusion of the Symposium , and is part of Alcibiades's tribute to Socrates and his speeches ...
... give , besides the above passage , as an illustra- tion of Plato's own prose poetry , part of a speech by Alcibiades . It is at the conclusion of the Symposium , and is part of Alcibiades's tribute to Socrates and his speeches ...
Page 30
... gives us a profound interpretation of Euri- pides's play in the twelfth section of The Birth of Tragedy . It is the old story of the battle between the emotions and reason , the instinct and the intellect , problems which men as ...
... gives us a profound interpretation of Euri- pides's play in the twelfth section of The Birth of Tragedy . It is the old story of the battle between the emotions and reason , the instinct and the intellect , problems which men as ...
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Common terms and phrases
aesthetic appear Arabian Arabic poetry Aristotle art for art's art's sake artistic Balzac beauty become poetry Bible blank verse called poetry century chapter composition conception critics Croce definition of poetry dreams ecstatic elegy English epic essay expression fact faculty famous feeling fiction figures of speech free verse Greek Hebrew poetry hence high order human Ibn Khaldun Ibsen ideas imagination intellectual intuition language Leaves of Grass lines literary literature of ecstasy literature of power lyric metre metre in poetry metrical modern moral mystic Nietzsche novel Ottoman Poetry parallelism passage passion pattern philosophical play poet's poetic poets prophets prose or verse prose poems prose poetry prose writers reader rhyme rhymed prose rhythm rhythmical prose satire says Shakespeare Shelley social song soul stories theory thou thought tion to-day tragedy translation tropes true unconscious verse poems verse poetry views Whitman word Wordsworth writing written wrote
Popular passages
Page 94 - And now I begin to understand why I was imprisoned so many years in this lonely chamber, and why I could never break through the viewless bolts and bars ; for if I had sooner made my escape into the world, I should have grown hard and rough, and been covered with earthly dust, and my heart might have become callous by rude encounters with the multitude. . . . But living in solitude till the fulness of time was come, I still kept the dew of my youth and the freshness of my heart.
Page 161 - Woe unto them that join house to house, that lay field to field, till there be no place, that they may be placed alone in the midst of the earth...
Page 161 - I hate, I despise your feast days, and I will not smell in your solemn assemblies. Though ye offer me burnt offerings and your meat offerings, I will not accept them: neither will I regard the peace offerings of your fat beasts. Take thou away from me the noise of thy songs; for I will not hear the melody of thy viols. But let judgment run down as waters, and righteousness as a mighty stream.
Page 26 - For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.
Page 68 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Page 95 - Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldst walk the world over, thou shalt not be able to find a condition inopportune or ignoble.
Page 94 - Thou shalt leave the world, and know the muse only. Thou shalt not know any longer the times, customs, graces, politics, or opinions of men, but shalt take all from the muse.
Page 202 - Then I said, I will not make mention of him, nor speak any more in his name. But his word was in mine heart as a burning fire shut up in my bones, and I was weary with forbearing, and I could not stay.
Page 243 - The storm has gone over me ; and I lie like one of those old oaks which the late hurricane has scattered about me. I am stripped of all my honours, I am torn up by the roots, and lie prostrate on the earth ! There, and prostrate there, I most unfeignedly recognize the Divine justice, and in some degree submit to it.
Page 48 - But the communication of pleasure may be the immediate object of a work not metrically composed ; and that object may have been in a high degree attained, as in novels and romances.