The Literature of EcstasyBoni and Liveright, 1921 - 254 pages |
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Albert Mordell. THE LITERATURE OF ECSTASY COPYRIGHT , 1921 , BY BONI & LIVERIght , Inc. Printed in the United States of America CONTENTS CHAPTER I. INTRODUCTION CHAPTER II . THE PSYCHOLOGY OF.
Albert Mordell. THE LITERATURE OF ECSTASY COPYRIGHT , 1921 , BY BONI & LIVERIght , Inc. Printed in the United States of America CONTENTS CHAPTER I. INTRODUCTION CHAPTER II . THE PSYCHOLOGY OF.
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Albert Mordell. CONTENTS CHAPTER I. INTRODUCTION CHAPTER II . THE PSYCHOLOGY OF ECSTASY · PAGE 9 · 18 CHAPTER III . ECSTASY , NOT RHYTHM , ESSENTIAL TO POETRY 42 CHAPTER IV . PROSE THE NATURAL LANGUAGE OF THE LITERATURE OF ECSTASY . 77 ...
Albert Mordell. CONTENTS CHAPTER I. INTRODUCTION CHAPTER II . THE PSYCHOLOGY OF ECSTASY · PAGE 9 · 18 CHAPTER III . ECSTASY , NOT RHYTHM , ESSENTIAL TO POETRY 42 CHAPTER IV . PROSE THE NATURAL LANGUAGE OF THE LITERATURE OF ECSTASY . 77 ...
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Albert Mordell. PAGE CHAPTER X. LITERATURE OF ECSTASY EMANATES FROM THE UNCONSCIOUS 179 CHAPTER XI . LOVE ECSTASY IN ARA- BIAN POETRY · CHAPTER XII . CONCLUSION 203 226 THE LITERATURE OF ECSTASY CHAPTER I INTRODUCTION FROM time immemorial ...
Albert Mordell. PAGE CHAPTER X. LITERATURE OF ECSTASY EMANATES FROM THE UNCONSCIOUS 179 CHAPTER XI . LOVE ECSTASY IN ARA- BIAN POETRY · CHAPTER XII . CONCLUSION 203 226 THE LITERATURE OF ECSTASY CHAPTER I INTRODUCTION FROM time immemorial ...
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Albert Mordell. THE LITERATURE OF ECSTASY CHAPTER I INTRODUCTION FROM time immemorial it has been assumed that poetry is something which is caviare to the general public . A " poem " even to - day is supposed to be a literary compo ...
Albert Mordell. THE LITERATURE OF ECSTASY CHAPTER I INTRODUCTION FROM time immemorial it has been assumed that poetry is something which is caviare to the general public . A " poem " even to - day is supposed to be a literary compo ...
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... chapter to the poetry of the most poetical nation , the Arabs ; their poets produced the anomaly of utilizing the most artificial metres , and yet never lost sight of the fact that ecstasy was the very life of the poem . Probably no ...
... chapter to the poetry of the most poetical nation , the Arabs ; their poets produced the anomaly of utilizing the most artificial metres , and yet never lost sight of the fact that ecstasy was the very life of the poem . Probably no ...
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Common terms and phrases
aesthetic appear Arabian Arabic poetry Aristotle art for art's art's sake artistic Balzac beauty become poetry Bible blank verse called poetry century chapter composition conception critics Croce definition of poetry dreams ecstatic elegy English epic essay expression fact faculty famous feeling fiction figures of speech free verse Greek Hebrew poetry hence high order human Ibn Khaldun Ibsen ideas imagination intellectual intuition language Leaves of Grass lines literary literature of ecstasy literature of power lyric metre metre in poetry metrical modern moral mystic Nietzsche novel Ottoman Poetry parallelism passage passion pattern philosophical play poet's poetic poets prophets prose or verse prose poems prose poetry prose writers reader rhyme rhymed prose rhythm rhythmical prose satire says Shakespeare Shelley social song soul stories theory thou thought tion to-day tragedy translation tropes true unconscious verse poems verse poetry views Whitman word Wordsworth writing written wrote
Popular passages
Page 94 - And now I begin to understand why I was imprisoned so many years in this lonely chamber, and why I could never break through the viewless bolts and bars ; for if I had sooner made my escape into the world, I should have grown hard and rough, and been covered with earthly dust, and my heart might have become callous by rude encounters with the multitude. . . . But living in solitude till the fulness of time was come, I still kept the dew of my youth and the freshness of my heart.
Page 161 - Woe unto them that join house to house, that lay field to field, till there be no place, that they may be placed alone in the midst of the earth...
Page 161 - I hate, I despise your feast days, and I will not smell in your solemn assemblies. Though ye offer me burnt offerings and your meat offerings, I will not accept them: neither will I regard the peace offerings of your fat beasts. Take thou away from me the noise of thy songs; for I will not hear the melody of thy viols. But let judgment run down as waters, and righteousness as a mighty stream.
Page 26 - For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.
Page 68 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Page 95 - Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldst walk the world over, thou shalt not be able to find a condition inopportune or ignoble.
Page 94 - Thou shalt leave the world, and know the muse only. Thou shalt not know any longer the times, customs, graces, politics, or opinions of men, but shalt take all from the muse.
Page 202 - Then I said, I will not make mention of him, nor speak any more in his name. But his word was in mine heart as a burning fire shut up in my bones, and I was weary with forbearing, and I could not stay.
Page 243 - The storm has gone over me ; and I lie like one of those old oaks which the late hurricane has scattered about me. I am stripped of all my honours, I am torn up by the roots, and lie prostrate on the earth ! There, and prostrate there, I most unfeignedly recognize the Divine justice, and in some degree submit to it.
Page 48 - But the communication of pleasure may be the immediate object of a work not metrically composed ; and that object may have been in a high degree attained, as in novels and romances.