The ornaments of language, arranged as a text-book |
From inside the book
Results 1-5 of 6
Page 6
... doubt as to which class certain expressions ought to be assigned . 5. Tropes and Figures , the language of imagination and the passions , are more beautiful and emphatic than of none; didactic style of very little, while ...
... doubt as to which class certain expressions ought to be assigned . 5. Tropes and Figures , the language of imagination and the passions , are more beautiful and emphatic than of none; didactic style of very little, while ...
Page 7
Heinrich Reichardt. and the passions , are more beautiful and emphatic than the ordinary mode of speaking ; and are employed to call attention more forcibly to the thoughts we desire to convey . But where the ordinary manner of speaking ...
Heinrich Reichardt. and the passions , are more beautiful and emphatic than the ordinary mode of speaking ; and are employed to call attention more forcibly to the thoughts we desire to convey . But where the ordinary manner of speaking ...
Page 11
... passion could be spent at its first appearance , to that it might injure but once , as in the case of the bees , whose sting is destroyed for ever , at the first puncture it occasions . Dr. Watts describes earthly pleasures as : b ...
... passion could be spent at its first appearance , to that it might injure but once , as in the case of the bees , whose sting is destroyed for ever , at the first puncture it occasions . Dr. Watts describes earthly pleasures as : b ...
Page 17
... passions springing from the dust , They fade and die . c . The ocean smiles , and smoothes her wavy breast . Reichardt , The Ornaments of Language . ( Dryden , Lucretius . ) 2 d . Woe doth the heavier sit Where it perceives 17.
... passions springing from the dust , They fade and die . c . The ocean smiles , and smoothes her wavy breast . Reichardt , The Ornaments of Language . ( Dryden , Lucretius . ) 2 d . Woe doth the heavier sit Where it perceives 17.
Page 29
... passions and emotions , love , hatred , are the sources from which Hyperbole flows . On the other hand , when an object of extraordinary dimensions is presented to our view , we are struck with the momentary belief that the object is ...
... passions and emotions , love , hatred , are the sources from which Hyperbole flows . On the other hand , when an object of extraordinary dimensions is presented to our view , we are struck with the momentary belief that the object is ...
Other editions - View all
Common terms and phrases
Allegory alluded Allusion Apostrophe Better Land brook Brutus Caesar Canossa child Cicero Climax Coriolanus cottage dark and dreary death Define Distinguish Epithet EXERCISE eyes Figures of Contrast FIGURES OF OMISSION Figures of Pathos Figures of Repetition flower following nouns frequently German glittering Half a league Hamlet heart heaven humility idea Iliad impeach interrogative form Julius Caesar kind of Metaphor light Litotes living Maria Stuart Merchant of Venice Metaphorical expression Metonymy mind Miscellaneous Figures morning nature noble o'er ocean Onomatopoeia Ornaments of Language Parables passions person poet Point of resemblance Pride PROPERTIES OF SIMILE Reichardt Richard Richard II Romeo and Juliet sail sentence Shakspeare shine Solomon's Song song sorrow soul spake speak speaker speech style Suwarrow sweet Swift sword Synecdoche tears Tennyson thee thing thou thoughts thousand Tirzah tongue Tropes and Figures Wapping waves weary wind words writer youth
Popular passages
Page 26 - I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges.
Page 33 - And they that passed by reviled him, wagging their heads, And saying, Thou that destroyest the temple, and buildest it in three days, save thyself. If thou be the Son of God, come down from the cross.
Page 42 - Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?
Page 25 - SLOW sinks, more lovely ere his race be run, ^ Along Morea's hills the setting sun ; Not, as in Northern climes, obscurely bright, But one unclouded blaze of living light ! O'er the hushed deep the yellow beam he throws, Gilds the green wave, that trembles as it glows.
Page 18 - In peace, Love tunes the shepherd's reed; In war, he mounts the warrior's steed; In halls, in gay attire is seen; In hamlets, dances on the green. Love rules the court, the camp, the grove, And men below, and saints above ; For love is heaven, and heaven is love.
Page 11 - Like leaves on trees the race of man is found, Now green in youth, now withering on the ground ; Another race the following spring supplies ; They fall successive, and successive rise : So generations in their course decay; So flourish these when those are pass'd away.
Page 17 - Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow; a poor player, That struts and frets his hour upon the stage, And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing.
Page 33 - Seemed to have known a better day ; The harp, his sole remaining joy, Was carried by an orphan boy. The last of all the Bards was he, Who sung of Border chivalry; For, well-a-day ! their date was fled, His tuneful brethren all were dead; And he, neglected and...
Page 10 - THE day is cold, and dark, and dreary ; It rains, and the wind is never weary ; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary. My life is cold, and dark, and dreary ; It rains, and the wind is never weary ; My thoughts still cling to the mouldering Past, But the hopes of youth fall thick in the blast And the days are dark and dreary.
Page 47 - Here, under leave of Brutus and the rest (For Brutus is an honourable man, So are they all, all honourable men) Come I to speak in Caesar's funeral. He was my friend, faithful and just to me; But Brutus says he was ambitious, And Brutus is an honourable man.