The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1858 |
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Page xv
... Beauty . 1818 . 370 Notes on Chapman's Homer . Extract of a Letter sent with the Vol- ume . 1807 ... 373 Note in Casaubon's Persius . 1807 . 376 Notes on Barclay's Argenis . 1803 . 376 Notes on Chalmers's Life of Samuel Daniel . 378 ...
... Beauty . 1818 . 370 Notes on Chapman's Homer . Extract of a Letter sent with the Vol- ume . 1807 ... 373 Note in Casaubon's Persius . 1807 . 376 Notes on Barclay's Argenis . 1803 . 376 Notes on Chalmers's Life of Samuel Daniel . 378 ...
Page 34
... beauty from any abstract rule common to both , without reference to the life and being of the animals themselves , - -or as if , having first seen the dove , we abstracted its outlines , gave them a false generalization , called them ...
... beauty from any abstract rule common to both , without reference to the life and being of the animals themselves , - -or as if , having first seen the dove , we abstracted its outlines , gave them a false generalization , called them ...
Page 42
... beauty . As to language ; —it can not be supposed that the poet should make his characters say all that they would , or that , his whole drama considered , each scene , or paragraph should be such as , on cool examination , we can ...
... beauty . As to language ; —it can not be supposed that the poet should make his characters say all that they would , or that , his whole drama considered , each scene , or paragraph should be such as , on cool examination , we can ...
Page 46
... beauty , both as exhibited to the eye in the combinations of form , and to the ear in sweet and appropriate melody ; that these feelings were under the command of his own will ; that in his very first productions he projected his mind ...
... beauty , both as exhibited to the eye in the combinations of form , and to the ear in sweet and appropriate melody ; that these feelings were under the command of his own will ; that in his very first productions he projected his mind ...
Page 48
... beauty of Adonis , the rapidity of his flight , the yearning , yet hopelessness , of the enam- ored gazer , while a shadowy ideal character is thrown over the whole ! Or this power acts by impressing the stamp of humani- ty , and of ...
... beauty of Adonis , the rapidity of his flight , the yearning , yet hopelessness , of the enam- ored gazer , while a shadowy ideal character is thrown over the whole ! Or this power acts by impressing the stamp of humani- ty , and of ...
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admirable appear Beaumont and Fletcher beauty Ben Jonson blank verse cause character Coleridge comedy common divine Don Quixote drama effect especially excellent excite express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear Lecture Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy true truth understanding unity verse Warburton's whole words writers
Popular passages
Page 120 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 161 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 132 - HUNG be the heavens with black , yield day to night! Comets, importing change of times and states, Brandish your crystal tresses in the sky ; And with them scourge the bad revolting stars, That have consented unto Henry's death ! Henry the fifth, too famous to live long ! England ne'er lost a king of so much worth.
Page 171 - Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep. Merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!
Page 169 - If chance will have me king, why, chance may crown me, Without my stir.
Page 127 - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
Page 82 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Page 363 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his newborn blisses, A six years
Page 114 - For thou wilt lie upon the wings of night, Whiter than new snow on a raven's back. Come, gentle night: come, loving, black-brow'd night Give me my Romeo: and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
Page 164 - I do not think so ; since he went into France, I have been in continual practice ; I shall win at the odds. But thou wouldst not think how ill all's here about my heart ; but it is no matter.