Romanticism and Religion from William Cowper to Wallace StevensRoutledge, 2016 M04 8 - 272 pages The relationship between literature and religion is one of the most groundbreaking and challenging areas of Romantic studies. Covering the entire field of Romanticism from its eighteenth-century origins in the writing of William Cowper and its proleptic stirrings in Paradise Lost to late-twentieth-century manifestations in the work of Wallace Stevens, the essays in this timely volume explore subjects such as Romantic attitudes towards creativity and its relation to suffering and religious apprehension; the allure of the 'veiled' and the figure of the monk in Gothic and Romantic writing; Miltonic light and inspiration in the work of Blake, Wordsworth, Shelley, and Keats; the relationship between Southey's and Coleridge's anti-Catholicism and definitions of religious faith in the Romantic period; the stammering of Romantic attempts to figure the ineffable; the emergence of a feminised Christianity and a gendered sublime; the development of Calvinism and its role in contemporary religious controversies. Its primary focus is the canonical Romantic poets, with a particular emphasis on Byron, whose work is most in need of critical re-evaluation given its engagement with the Christian and Islamic worlds and its critique of totalising religious and secular readings. The collection is an original and much-needed intervention in Romantic studies, bringing together the contextual awareness of recent historicist scholarship with the newly awakened interest in matters of form and an appreciation of the challenges of postmodern theory. |
From inside the book
Results 1-5 of 30
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... secular. This does not mean that something extrinsic that shackled our practice has been lifted so that it has become neutral or is without presuppositions, but that it presupposes a view of the world opposed to the religious. That this ...
... secular. This does not mean that something extrinsic that shackled our practice has been lifted so that it has become neutral or is without presuppositions, but that it presupposes a view of the world opposed to the religious. That this ...
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... secular literary criticism begins – may be called into question, and why it is necessary, without first of all deciding about that which is undecidable, to reexamine the presuppositions of critical practice in the light of the ...
... secular literary criticism begins – may be called into question, and why it is necessary, without first of all deciding about that which is undecidable, to reexamine the presuppositions of critical practice in the light of the ...
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... secular view whose ascendancy has occluded it. What needs to be emphasised is that the theological alternative of differenceinrelation is also compatible with the available data. The sort of continuity or kinship endorsed by theology ...
... secular view whose ascendancy has occluded it. What needs to be emphasised is that the theological alternative of differenceinrelation is also compatible with the available data. The sort of continuity or kinship endorsed by theology ...
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... secular criticism was a vital interruptive force, calling into question the totalising hold of religious readings of Romanticism. In its restless questing, its revolutionary spirit, its 'affirmation of incompletion',63 it therefore ...
... secular criticism was a vital interruptive force, calling into question the totalising hold of religious readings of Romanticism. In its restless questing, its revolutionary spirit, its 'affirmation of incompletion',63 it therefore ...
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... secular criticism to remind us of this subversive 'if' – to remind us, as Romanticism reminds us, that things might be unimaginably other than they are, other than we are told or have come to believe they are; that we may, as Clough ...
... secular criticism to remind us of this subversive 'if' – to remind us, as Romanticism reminds us, that things might be unimaginably other than they are, other than we are told or have come to believe they are; that we may, as Clough ...
Contents
Milton and | |
Self Nature Society | |
Wordsworths Faithful | |
Southey Coleridge and English | |
Byron | |
Chalmers and the Scottish Religious Heritage | |
Byrons Confessional Pilgrimage | |
Scepticism and the Voice of Poetry | |
Ghostly Closure and Comic | |
Hopkins Keats and the Gratuity of Grace | |
Percy Bysshe | |
Sacred Art and Profane Poets | |
Stevenss Esthétique du Mal Evil | |
Bibliography | |
Index | |
The Diction of Don Juan | |
Other editions - View all
Romanticism and Religion from William Cowper to Wallace Stevens Gavin Hopps,Jane Stabler Limited preview - 2006 |
Romanticism and Religion from William Cowper to Wallace Stevens Dr Gavin Hopps,Dr Jane Stabler Limited preview - 2013 |
Common terms and phrases
aesthetic angels argues atheism beauty Bernard Beatty Blake Byron Cain Cain’s Cambridge Canto Catholic Catholicism Chalmers Childe Harold Christ Christian Church claim Clarendon Press Coleridge Coleridge’s confession confessional Cowper criticism Derrida describes diction divine Don Juan Edinburgh English Essays evil faith fragments God’s grace heaven Hopkins Hopkins’s human Ibid imagination John Keats Keats’s language of seeming Letters light Lord Lord Byron Lucifer man’s Mary Shelley McGann metaphor Milton mind modern monk moral nature Oxford University Press Paradise Lost paradoxical Percy Bysshe Shelley Percy Shelley philosophy poem poem’s poet poet’s poetic political postmodern Prometheus Raphael reader reading Reiman relationship religion religious Romantic poetry Romanticism Routledge Samuel Taylor Coleridge scepticism secular sense Shelley Shelley’s Southey Southey’s spirit stanza Stevens Stevens’s sublime suffering suggests T.S. Eliot theological things Thomas Thomas Chalmers Tracy tradition trans transcendent vision visionary vols London Wallace Stevens William William Wordsworth words Wordsworth writing