The Text of Shakespeare Vindicated from the Interpolations and Corruptions Advocated by John Payne Collier, Esq., in His Notes and Emendations, Volume 70W. Pickering, 1853 - 312 pages |
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Page 2
... Interference with the old genuine text is therefore not to be tolerated for a moment . P. 9 . ACT II . SCENE I. And the fair soul herself Weigh'd , between lothness and obedience , at Which end o ' the beam she'd bow . The corrector ...
... Interference with the old genuine text is therefore not to be tolerated for a moment . P. 9 . ACT II . SCENE I. And the fair soul herself Weigh'd , between lothness and obedience , at Which end o ' the beam she'd bow . The corrector ...
Page 11
... interference is nothing less than absurd . But it is nothing new , for Mr. Collier has elsewhere said , " Shakspeare's word may have been cycles ” ! SCENE IV . P. 46. Tyrwhitt's reading of in - shell'd for enshield is a very doubtful ...
... interference is nothing less than absurd . But it is nothing new , for Mr. Collier has elsewhere said , " Shakspeare's word may have been cycles ” ! SCENE IV . P. 46. Tyrwhitt's reading of in - shell'd for enshield is a very doubtful ...
Page 14
... interference with the text in the speech of Ægeon . Yet that the world may witness , that my end Was wrought by nature , not by vile offence , I'll utter what my sorrow gives me leave . He substitutes fortune for nature . Mr. Collier ...
... interference with the text in the speech of Ægeon . Yet that the world may witness , that my end Was wrought by nature , not by vile offence , I'll utter what my sorrow gives me leave . He substitutes fortune for nature . Mr. Collier ...
Page 19
... this way the commentators have sometimes vindicated one corruption by another . " Nothing can be clearer than the old text . Frame is here again used for framing , contrivance , and the interference MUCH ADO ABOUT NOTHING . 19.
... this way the commentators have sometimes vindicated one corruption by another . " Nothing can be clearer than the old text . Frame is here again used for framing , contrivance , and the interference MUCH ADO ABOUT NOTHING . 19.
Page 20
Samuel Weller Singer. again used for framing , contrivance , and the interference of the corrector in both instances is impertinent and uncalled for . Mr. C. is obliged himself to admit that " the fabrication . of villanies may be meant ...
Samuel Weller Singer. again used for framing , contrivance , and the interference of the corrector in both instances is impertinent and uncalled for . Mr. C. is obliged himself to admit that " the fabrication . of villanies may be meant ...
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Common terms and phrases
absurd adopted alteration amended better authority blood blunder Cæsar coincidence Collier says Collier thinks conjecture Coriolanus corrected folio corrector would read corrector would substitute doubt Duke edition of Shakespeare emendation epithet evident expression Falstaff fancy favour fear following lines give Hanmer hath Henry humour impertinent improve insertion interference interpolation italic type Johnson Julius Cæsar King last line lord Macbeth Malone manuscript manuscript-corrector margin meaning metre mistaken modern editors necessary never night old authentic text old copies old corrector old reading old text omitted Othello passage peize perfectly intelligible piece of meddling plausible play poet poet's language poet's word printed probable misprint proposed quartos Queen reason rector reference remarkable rhyme Richard III SCENE I.
P. SCENE II second folio seems sense set right speaking speech stands Steevens suggested tells Theobald thou thought tion true reading uncalled undoubted unnecessary unsane Warburton Winter's Tale
Popular passages
Page xviii - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart • Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred in such pomp dost lie, That kings for such a tomb would wish to die.
Page 39 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The seasons...
Page 273 - Here, take this purse, thou whom the heavens' plagues Have humbled to all strokes : that I am wretched Makes thee the happier : — heavens, deal so still ! Let the superfluous and lust-dieted man, That slaves your ordinance, that will not see Because he doth not feel, feel your power quickly ; So distribution should undo excess, And each man have enough.
Page 255 - ... you come to know it,) answer me : Though you untie the winds, and let them fight Against the churches ; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders...
Page 277 - I'd use them so That heaven's vault should crack. — She's gone for ever ! — I know when one is dead, and when one lives ; She's dead as earth. — Lend me a looking-glass ; If that her breath will mist or stain the stone, Why, then she lives.
Page 33 - Thus ornament is but the guiled shore To a most dangerous sea; the beauteous scarf Veiling an Indian beauty; in a word, The seeming truth which cunning times put on To entrap the wisest.
Page 249 - This was the noblest Roman of them all : All the conspirators, save only he, Did that they did in envy of great Caesar; He only, in a general honest thought, And common good to all, made one of them. His life was gentle; and the elements So mix'd in him that Nature might stand up And say to all the world, This was a man!
Page 130 - The throne he sits on, nor the tide of pomp That beats upon the high shore of this world No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave...
Page 203 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes.
Page 63 - If music be the food of love, play on ; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. — That strain again ! — it had a dying fall : O, it came o'er my ear like the sweet south, (') That breathes upon a bank of violets, Stealing and giving odour ! — Enough ; no more : 'Tis not so sweet now as it was before.