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admiration ancient appeared attempt attention Augustan ballad beauty blank verse called Castle cents century Classic Collection contains couplet course critical death early edition Editor eighteenth century English especially Essay evidence expression fact Fairy fashion feeling gives Gothic Gray Gray's imagination imitations important influence interesting introduction kind known later letter lines literary literature Mallet manner Milton mind nature never notes old English original Ossian passage Percy perhaps piece poem poet poetic poetry Pope popular preface present printed Prior Professor published Queen remarkable revival Romantic movement Romanticism says seems shows significance simply songs sonnet speaks Spenser Spenserian spirit stanza style taste thing Thomson thought took translation true University verse volume Walpole Warton whole wild writing written wrote Young
Page 164 - On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Robed in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard and hoary hair Streamed like a meteor to the troubled air;) And with a master's hand and prophet's fire Struck the deep sorrows of his lyre: 'Hark, how each giant oak and desert cave Sighs to the torrent's awful voice beneath!
Page 164 - Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds : Save that, from yonder ivy-mantled tower, The moping owl does to the moon complain, Of such as, wandering near her secret bower, Molest her ancient solitary reign.
Page 165 - Nor wash his visage in the stream. Nor see the sun's departing beam. Till he on Hoder's corse shall smile Flaming on the fun'ral pile. Now my weary lips I close : Leave me, leave me to repose.
Page 179 - When it was grown to dark midnight, And all were fast asleep, In came Margaret's grimly ghost, And stood at William's feet.
Page 26 - While through their ranks in silver pride The nether crescent seems to glide. The slumbering breeze forgets to breathe, The lake is smooth and clear beneath, Where once again the spangled show Descends to meet our eyes below. The grounds, which on the right aspire. In dimness from the view retire : The left presents a place of graves, Whose wall the silent water laves. That steeple guides thy doubtful sight Among the livid gleams of night. There pass with melancholy state By all the solemn heaps...
Page 106 - I waked one morning in the beginning of last June from a dream, of which all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story) and that on the uppermost bannister of a great staircase I saw a gigantic hand in armour.
Page 163 - To Contemplation's sober eye Such is the race of Man : And they that creep, and they that fly Shall end where they began. Alike the busy and the gay But flutter thro...
Page 150 - Fingal, an Ancient Epic Poem, in Six Books: Together with several other Poems, composed by Ossian, the Son of Fingal.
Page 91 - Haste, Fancy, from the scenes of folly, To meet the matron Melancholy, Goddess of the tearful eye, That loves to fold her arms, and sigh , Let us with silent footsteps go , To charnels and the house of woe, To Gothic churches, vaults, and tombs, Where each sad night some virgin comes, With throbbing breast, and faded cheek, Her promis'd bridegroom's urn to seek...
Page 93 - Where through some western window the pale moon Pours her long-levell'd rule of streaming light; While sullen sacred silence reigns around, Save the lone screech-owl's note, who builds his bow'r Amid the mould'ring caverns dark and damp, Or the calm breeze, that rustles in the leaves Of flaunting ivy, that with mantle green Invests some wasted tow'r.