The Works of Shakespeare, Volume 9at the University Press, 1953 |
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Page xxxiii
... original , and mark a significant change of voice ; when the original brackets seem to imply little more than the drop in tone accom- panying parenthesis , they are conveyed by commas or dashes . In plays for which both Folio and Quarto ...
... original , and mark a significant change of voice ; when the original brackets seem to imply little more than the drop in tone accom- panying parenthesis , they are conveyed by commas or dashes . In plays for which both Folio and Quarto ...
Page 108
... original manuscript , though the explorer must proceed with circumspection . D. The original manuscript The Quarto of 1600 contains a plentiful supply of those peculiarities which in previous texts we have taken as evidence of revision ...
... original manuscript , though the explorer must proceed with circumspection . D. The original manuscript The Quarto of 1600 contains a plentiful supply of those peculiarities which in previous texts we have taken as evidence of revision ...
Page 175
... original ' is hee yet poffeft / How much ye would ? ' Q. 1619 reads ' are you refolued , / How much he would haue ? ' - ' —a change for which no compositor is likely to have been responsible , though it is not at first obvious for what ...
... original ' is hee yet poffeft / How much ye would ? ' Q. 1619 reads ' are you refolued , / How much he would haue ? ' - ' —a change for which no compositor is likely to have been responsible , though it is not at first obvious for what ...
Contents
THE COPY FOR THE TEXT OF 1600 | 91 |
NOTES | 121 |
A NOTE ON THE TEXTS OF 1619 AND 1623 | 173 |
Copyright | |
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Antonio Arragon Baffanio Bassanio Bellario Belmont bond broken line casket choose Christian Clowne comes compositor court Covent Garden daughter dialogue doth Drury Lane Duke E. K. Chambers entry eyes fair father flesh follow fool forfeit Gentlemen give Gratiano hand hath Hayes Quarto head hear Jaggard Jessica Jew's John Philip Kemble lady Lancelot letter Lopez Lord Bassanio Lorenzo Love's Labour's Lost masque master Merchant of Venice mercy mind of love misprint Morocco Nerissa night Old Gobbo passage play Portia Portia's house pray thee prefix printed prompt-book prose revision ring S.D. Q. Enter S.D. Q. Exeunt S.D. Q. Exit Salarino Salerio scene scribe scrolls Sh.Hand Shakespeare Shakespearian Shylock Sola Solanio song soul speak speech spelling stage-directions Stephano suggests swear sweet tell textual thou three thousand ducats Tubal verse W. W. Greg words