Plagiarism and Literary Property in the Romantic PeriodUniversity of Pennsylvania Press, 2013 M04 23 - 256 pages In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? |
From inside the book
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... Coleridge, Samuel Taylor, 1772-1834—~Criticism and interpretation. 8. Wordsworth, William, 177o—185o—Criticism and interpretation. 9. Shelley, Percy Bysshe, 1792—1822—Criticism and interpretation. 10. Byron, George Gordon Byron, Baron ...
... Samuel Taylor Coleridge. Ed. E. L. Griggs. 4 vols. Oxford: Oxford University Press, 1959. Lord Byron: The Complete Poetical Works. Ed. Ierome I. McGann. 7 vols. Oxford: Clarendon Press, 1980. Letters of Percy Bysshe Shelley. Ed ...
... of coterie or collaborative authorship, and it explains why this tradition has focused so intently on the plagiarisms of a single poet, Samuel Taylor Coleridge, as ideologically and culturally aberrant. Within Preface.
Tilar J. Mazzeo. poet, Samuel Taylor Coleridge, as ideologically and culturally aberrant. Within this context, I ... Coleridge's literary obligations and with the conventions of plagiarism outlined by his first accuser, Thomas DeQuincey ...
... Samuel Taylor Coleridge, and one of the claims of this book is the contention that such silent literary ... Coleridge's particular borrowings have sparked such controversy and sustained interest. That Coleridge's debts to other writers ...
Contents
1 | |
17 | |
3 Property and the Margins of Literary Print Culture | 49 |
Byron Originality and Aesthetic Plagiarism | 86 |
Travel Writing and the Defense of Modern Poetry | 122 |
Class Improvement and Enclosure | 144 |
Afterword | 182 |
Notes | 189 |
Bibliography | 211 |
Index | 227 |
Acknowledgments | 235 |