Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 41
... woman who , says Enobarbus , ' makes hungry / Where most she satisfies ' ( lines 238-9 ) . Later in the play Antony's de- scription of his own appearance is illusory in another way : he describes his body as cloudlike , a shifting ...
... woman who , says Enobarbus , ' makes hungry / Where most she satisfies ' ( lines 238-9 ) . Later in the play Antony's de- scription of his own appearance is illusory in another way : he describes his body as cloudlike , a shifting ...
Page 65
... true , Why then , my love adieu ! ROSALIND I'll have no father , if you be not he . [ to Duke ] I'll have no husband , if you be not he . [ to Orlando ] Nor ne'er wed woman , if you be not she The Sprecher and Shifting Perspectives / 65.
... true , Why then , my love adieu ! ROSALIND I'll have no father , if you be not he . [ to Duke ] I'll have no husband , if you be not he . [ to Orlando ] Nor ne'er wed woman , if you be not she The Sprecher and Shifting Perspectives / 65.
Page 66
... woman , if you be not she . [ to Phebe ] v.iv.110-18 Shakespeare constructs a large portion of v.ii in this manner , a scene which concludes with Rosalind's speech , Pray you , no more of this ; ' tis like the howling of Irish wolves ...
... woman , if you be not she . [ to Phebe ] v.iv.110-18 Shakespeare constructs a large portion of v.ii in this manner , a scene which concludes with Rosalind's speech , Pray you , no more of this ; ' tis like the howling of Irish wolves ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
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