Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
From inside the book
Results 1-3 of 13
Page 21
... thoughts and senses guides ; He loves my heart , for once it was his own ; I cherish his , because in me it bides . His heart his wound received from my sight ; My heart was wounded with his wounded heart , For as from me on him his ...
... thoughts and senses guides ; He loves my heart , for once it was his own ; I cherish his , because in me it bides . His heart his wound received from my sight ; My heart was wounded with his wounded heart , For as from me on him his ...
Page 49
... thoughts : Ha ' not you seen , Camillo - But that's past doubt , you have , or your eye - glass Is thicker than a cuckhold's horn For to a vision so apparent rumor - or heard - Cannot be mute - or thought for cogitation - Resides not in ...
... thoughts : Ha ' not you seen , Camillo - But that's past doubt , you have , or your eye - glass Is thicker than a cuckhold's horn For to a vision so apparent rumor - or heard - Cannot be mute - or thought for cogitation - Resides not in ...
Page 109
... thoughts , did read The prettiest lecture of his country art That could be wished , so that methought I could Have studied it . I gladly entertained him , Who was glad to follow ; and have got The trustiest , loving'st , and the ...
... thoughts , did read The prettiest lecture of his country art That could be wished , so that methought I could Have studied it . I gladly entertained him , Who was glad to follow ; and have got The trustiest , loving'st , and the ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's