Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 37
... theatrical fashion casting courtly figures in this typically Jacobean ambience : Hoy's generalizations apply equally well to the courtly worlds revealed in Measure and All's Well , Timon and Macbeth , Othello and Lear , Sejanus and ...
... theatrical fashion casting courtly figures in this typically Jacobean ambience : Hoy's generalizations apply equally well to the courtly worlds revealed in Measure and All's Well , Timon and Macbeth , Othello and Lear , Sejanus and ...
Page 55
... theatrical illusion becomes more tenuous , more conditional , more self - reflexive . As a dramatic de- vice , the Sprecher differs from both the commentator and satiric spokes- man : from the former in the matter of tone and degree of ...
... theatrical illusion becomes more tenuous , more conditional , more self - reflexive . As a dramatic de- vice , the Sprecher differs from both the commentator and satiric spokes- man : from the former in the matter of tone and degree of ...
Page 162
... theatrical vehicle for a boys ' company , since its various satirical postures can be effectively handled by them while the size of the roles does not require large , poignant , clearly drawn indi- vidual characterizations but calls ...
... theatrical vehicle for a boys ' company , since its various satirical postures can be effectively handled by them while the size of the roles does not require large , poignant , clearly drawn indi- vidual characterizations but calls ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's