Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 32
... tell whether Apelles or Albert Durer were the more trifler ; whereof the one would make a personage by geometrical proportions , the other , by taking the best parts out of divers faces , to make one excellent . Such personages , I ...
... tell whether Apelles or Albert Durer were the more trifler ; whereof the one would make a personage by geometrical proportions , the other , by taking the best parts out of divers faces , to make one excellent . Such personages , I ...
Page 110
... tell true . To lapse in fulness Is sorer than to lie for need , and falsehood Is worse in kings than beggars . My dear lord , Thou art one o ' th ' false ones . Now I think on thee My hunger's gone , but even before , I was At point to ...
... tell true . To lapse in fulness Is sorer than to lie for need , and falsehood Is worse in kings than beggars . My dear lord , Thou art one o ' th ' false ones . Now I think on thee My hunger's gone , but even before , I was At point to ...
Page 119
... play by playing his role , but also does not tell us of his disguise and its purpose until the end of the third scene . In contrast , Shakespeare's Duke does not take Unreconciled Opposites and Simultaneous Contraries / 119.
... play by playing his role , but also does not tell us of his disguise and its purpose until the end of the third scene . In contrast , Shakespeare's Duke does not take Unreconciled Opposites and Simultaneous Contraries / 119.
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's