Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 176
... story of her recovery , though so like an ' old tale , ' and the ' picture ' of her restored personage , though merely ' life as lively mocked as ever , ' take on a sparkling veracity . Art and life are one , not in the generalized ...
... story of her recovery , though so like an ' old tale , ' and the ' picture ' of her restored personage , though merely ' life as lively mocked as ever , ' take on a sparkling veracity . Art and life are one , not in the generalized ...
Page 177
... story in the way that a Sprecher figure interrupts a scene to inter- pret a character . ) The intrusion of artifice is surprising . Shakespeare may have wished to avoid the staging of two reconciliation scenes as he had done in Pericles ...
... story in the way that a Sprecher figure interrupts a scene to inter- pret a character . ) The intrusion of artifice is surprising . Shakespeare may have wished to avoid the staging of two reconciliation scenes as he had done in Pericles ...
Page 182
... story than to feel absorbed by the startling facts of the story itself . The Winter's Tale contains similar tangled passages of narrative which explain important details in an awkward manner . The Third Gentleman's speech in v.ii is a ...
... story than to feel absorbed by the startling facts of the story itself . The Winter's Tale contains similar tangled passages of narrative which explain important details in an awkward manner . The Third Gentleman's speech in v.ii is a ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's