Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 109
... speech is even more artificial on second reading than it appears on first reading , because the ' pretty sad - talking boy , ' as it turns out , is not a boy at all but rather Dion's daughter , and her story is a complete fabrication ...
... speech is even more artificial on second reading than it appears on first reading , because the ' pretty sad - talking boy , ' as it turns out , is not a boy at all but rather Dion's daughter , and her story is a complete fabrication ...
Page 159
... speeches . Andrugio's speech in III.i of part 1 , ' Fortune's brow hath frown'd ... ' ( line 52ff ) , also seems to be in the style of the old tragedy . ( And , since Antonio is not drowned as Andrugio supposes , his speech represents a ...
... speeches . Andrugio's speech in III.i of part 1 , ' Fortune's brow hath frown'd ... ' ( line 52ff ) , also seems to be in the style of the old tragedy . ( And , since Antonio is not drowned as Andrugio supposes , his speech represents a ...
Page 182
... speech in v.ii is a good example : One of the prettiest touches of all , and that which angled for mine eyes ... speech gets in the way of what he is trying to say , just as the entire narrative scene gets in the way of our direct ...
... speech in v.ii is a good example : One of the prettiest touches of all , and that which angled for mine eyes ... speech gets in the way of what he is trying to say , just as the entire narrative scene gets in the way of our direct ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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