Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 10
... speak their allegiances and pluck the appropriate colour of rose from a bush in the Temple Garden . Once divided , the antagonists make further reference to the red and white colours with which they are associated as they speak their ...
... speak their allegiances and pluck the appropriate colour of rose from a bush in the Temple Garden . Once divided , the antagonists make further reference to the red and white colours with which they are associated as they speak their ...
Page 46
... speak ? SEBASTIAN I do ; and surely It is a sleepy language , and thou speak'st Out of thy sleep . What is it thou didst say ? This is a strange repose , to be asleep With eyes wide open ; standing , speaking , moving , And yet so fast ...
... speak ? SEBASTIAN I do ; and surely It is a sleepy language , and thou speak'st Out of thy sleep . What is it thou didst say ? This is a strange repose , to be asleep With eyes wide open ; standing , speaking , moving , And yet so fast ...
Page 208
... speak freely ? Good Andrugio's dead ; And I do fear a fetch , but - umh ! would I durst speak - I do mistrust ; but - umh ! death ! [ Aside ] Is he all , all man , Hath he no part of mother in him , ha ? No lickerish womanish ...
... speak freely ? Good Andrugio's dead ; And I do fear a fetch , but - umh ! would I durst speak - I do mistrust ; but - umh ! death ! [ Aside ] Is he all , all man , Hath he no part of mother in him , ha ? No lickerish womanish ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's