Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 114
... sense of Barabas ' Ma- chiavellian character while simultaneously focusing our attention on it . His asides thus diminish rather than exaggerate any sense of double perspective that his character might generate . He remains in the ...
... sense of Barabas ' Ma- chiavellian character while simultaneously focusing our attention on it . His asides thus diminish rather than exaggerate any sense of double perspective that his character might generate . He remains in the ...
Page 142
... sense , then , the design of A King and No King is static , determined not so much by the laws of cause and effect as by the rules of artful arrangement . 19 Because the issue of incest is finally irrelevant , the troublesome moral ...
... sense , then , the design of A King and No King is static , determined not so much by the laws of cause and effect as by the rules of artful arrangement . 19 Because the issue of incest is finally irrelevant , the troublesome moral ...
Page 183
... sense of the incredible price Leontes and Hermione have had to pay in suffering and a sense of the miraculous truth that men sometimes do , against all odds , have a second chance . So , as Hermione's statue comes alive , art becomes ...
... sense of the incredible price Leontes and Hermione have had to pay in suffering and a sense of the miraculous truth that men sometimes do , against all odds , have a second chance . So , as Hermione's statue comes alive , art becomes ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's