Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 119
... role as foul- mouthed malcontent conflicts with the nobility of his character to a greater degree than the role of Friar Lodowick conflicts with the person of the Duke in Shakespeare's play . Beyond this , Marston's play is more extreme ...
... role as foul- mouthed malcontent conflicts with the nobility of his character to a greater degree than the role of Friar Lodowick conflicts with the person of the Duke in Shakespeare's play . Beyond this , Marston's play is more extreme ...
Page 124
... role in the figure of Vincentio – perhaps a more ruminative cast than is the case with the Marston play . - The exaggerated dichotomy of character and role , accomplished through the use of accentuated artifice , thus leads us to the ...
... role in the figure of Vincentio – perhaps a more ruminative cast than is the case with the Marston play . - The exaggerated dichotomy of character and role , accomplished through the use of accentuated artifice , thus leads us to the ...
Page 131
... role becomes central to the meaning of the final scene . In Macbeth , contradictory aspects of character and role clash in the representation given the hero's chief rival , Malcolm , in a strange scene in act iv . In feigning his false ...
... role becomes central to the meaning of the final scene . In Macbeth , contradictory aspects of character and role clash in the representation given the hero's chief rival , Malcolm , in a strange scene in act iv . In feigning his false ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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