Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 36
... reality of the man of court ( how he actually behaved ) were both legitimate perceptions con- stantly at play . As a pious ruler , James must have been viewed by his countrymen with a peculiar kind of double vision which differentiated ...
... reality of the man of court ( how he actually behaved ) were both legitimate perceptions con- stantly at play . As a pious ruler , James must have been viewed by his countrymen with a peculiar kind of double vision which differentiated ...
Page 149
... reality reveals simultaneous events in opposite worlds . The spiritual figures that hover above Romano's St Stephen , for instance ( figure 24 ) , remind us of the rewards awaiting the saintly soul even as his executioners gather round ...
... reality reveals simultaneous events in opposite worlds . The spiritual figures that hover above Romano's St Stephen , for instance ( figure 24 ) , remind us of the rewards awaiting the saintly soul even as his executioners gather round ...
Page 178
... reality becomes more deliberately accomplished than anywhere else in Shakespeare . The med- dling with the illusion of the play in Pyramus and Thisbe in A Midsummer Night's Dream and in the Pageant of the Nine Worthies in Love's ...
... reality becomes more deliberately accomplished than anywhere else in Shakespeare . The med- dling with the illusion of the play in Pyramus and Thisbe in A Midsummer Night's Dream and in the Pageant of the Nine Worthies in Love's ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's