Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
From inside the book
Results 1-3 of 86
Page 11
... painting is not known . Moments later in the same play , Shakespeare has Cleopatra describe Antony as if his image had been rendered in a perspective painting , ' painted one way like a Gorgon , / The other way's a Mars ' ( II.v.116 ) ...
... painting is not known . Moments later in the same play , Shakespeare has Cleopatra describe Antony as if his image had been rendered in a perspective painting , ' painted one way like a Gorgon , / The other way's a Mars ' ( II.v.116 ) ...
Page 54
... painting.2 The most easily recognizable Sprecher in mannerist painting is the small boy in the foreground of El Greco's Burial of Count Orgaz ( figure 21 ) . The boy looks at us and points to the body of the Count as it is laid in its ...
... painting.2 The most easily recognizable Sprecher in mannerist painting is the small boy in the foreground of El Greco's Burial of Count Orgaz ( figure 21 ) . The boy looks at us and points to the body of the Count as it is laid in its ...
Page 194
... painting illus- trating the same thing , if Shakespeare had either seen or heard of it . Though the painting , entitled Jupiter and Juno Taking Possession of Heaven ( figure 3 ) , is not listed in the Charles I inventory of the paintings ...
... painting illus- trating the same thing , if Shakespeare had either seen or heard of it . Though the painting , entitled Jupiter and Juno Taking Possession of Heaven ( figure 3 ) , is not listed in the Charles I inventory of the paintings ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's