Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 9
... Masque of Hymen , performed on Twelfth Night , 1606 , at Whitehall . Among the more audacious visual effects on this night was a globe which spun on an axis and in which were contained the mas- quers.14 On top sat Reason , who ordered ...
... Masque of Hymen , performed on Twelfth Night , 1606 , at Whitehall . Among the more audacious visual effects on this night was a globe which spun on an axis and in which were contained the mas- quers.14 On top sat Reason , who ordered ...
Page 14
... masques , as for in- stance in Hymenaei in 1606 , Arundel and Shakespeare may have been in each other's presence at ... masque writer , can be seen to have taken more than a perfunctory interest in statuary , as his comment on the habit ...
... masques , as for in- stance in Hymenaei in 1606 , Arundel and Shakespeare may have been in each other's presence at ... masque writer , can be seen to have taken more than a perfunctory interest in statuary , as his comment on the habit ...
Page 36
... masque ( too much , according to Jonson ) may have encouraged Jones to borrow from his knowledge of Italian art and from the musings of the masque's rarefied patrons . Also , Jones ' visualization of the masque within the confines of an ...
... masque ( too much , according to Jonson ) may have encouraged Jones to borrow from his knowledge of Italian art and from the musings of the masque's rarefied patrons . Also , Jones ' visualization of the masque within the confines of an ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
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action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's