Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 74
... honour and glory , which , Paris and Troilus argue in the previous scene , is grounds for keeping Helen . Hector points up their reasoning as but a mere gloss on the truth ( 11.ii.165 ) , a self - serving rationalization rather than ...
... honour and glory , which , Paris and Troilus argue in the previous scene , is grounds for keeping Helen . Hector points up their reasoning as but a mere gloss on the truth ( 11.ii.165 ) , a self - serving rationalization rather than ...
Page 86
... honour ' ( Iv.ii.336 ) and in the other he speaks alone to the audience over the dead body of the Duchess and refers to a ' guilty conscience ' as ' a perspective / That shows us hell ! ' ( 1v.ii.356–9 ) . Not only does Bosola thus ...
... honour ' ( Iv.ii.336 ) and in the other he speaks alone to the audience over the dead body of the Duchess and refers to a ' guilty conscience ' as ' a perspective / That shows us hell ! ' ( 1v.ii.356–9 ) . Not only does Bosola thus ...
Page 90
... honour of the city ( act Iv ) , to participate in mock battle ( act v ) , and , finally , to die ( act v ) , all actions which constitute picaresque diversions from the main action . The wife is so taken by Rafe's valour that she gives ...
... honour of the city ( act Iv ) , to participate in mock battle ( act v ) , and , finally , to die ( act v ) , all actions which constitute picaresque diversions from the main action . The wife is so taken by Rafe's valour that she gives ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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