Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
From inside the book
Results 1-3 of 24
Page 7
... heart Durst make too bold a herald of my tongue ; Where the impression of mine eye infixing , Contempt his scornful perspective did lend me , Which warped the line of every other favor . Scorned a fair color or expressed it stol'n ...
... heart Durst make too bold a herald of my tongue ; Where the impression of mine eye infixing , Contempt his scornful perspective did lend me , Which warped the line of every other favor . Scorned a fair color or expressed it stol'n ...
Page 20
... Heart Exchange . ' Typical of the Renaissance structure displayed by the Sidney poem , as Wylie Sypher points out ... heart , and I have his By just exchange , one for the other given ; I hold his dear , and mine he cannot miss ; There ...
... Heart Exchange . ' Typical of the Renaissance structure displayed by the Sidney poem , as Wylie Sypher points out ... heart , and I have his By just exchange , one for the other given ; I hold his dear , and mine he cannot miss ; There ...
Page 21
... heart in me , keeps me and him in one ; My heart in him his thoughts and senses guides ; He loves my heart , for once it was his own ; I cherish his , because in me it bides . His heart his wound received from my sight ; My heart was ...
... heart in me , keeps me and him in one ; My heart in him his thoughts and senses guides ; He loves my heart , for once it was his own ; I cherish his , because in me it bides . His heart his wound received from my sight ; My heart was ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's