Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 10
... hand laid on . I.V.221-6 Here ' Nature ' has ' played the painter ' : her skilful ( ' cunning ' ) hand has blended her fast dyed ( ' in grain ' ) colour to form a portrait of Olivia . Yet this painterly record of beauty is experienced ...
... hand laid on . I.V.221-6 Here ' Nature ' has ' played the painter ' : her skilful ( ' cunning ' ) hand has blended her fast dyed ( ' in grain ' ) colour to form a portrait of Olivia . Yet this painterly record of beauty is experienced ...
Page 119
... hand that he cannot return to his original position at the head of state . But his role - playing appears puzzling . Even more curious is Marston's Altofronto . On the one hand , the lively vitality of his many satirical speeches ...
... hand that he cannot return to his original position at the head of state . But his role - playing appears puzzling . Even more curious is Marston's Altofronto . On the one hand , the lively vitality of his many satirical speeches ...
Page 121
... hand , for a long time has no alternative to Mendoza's scheming but to submit to the orders he is given . He thus agrees to kill Pietro ( though he does not follow through with the murder ) and to tempt his wife ( though the temptation ...
... hand , for a long time has no alternative to Mendoza's scheming but to submit to the orders he is given . He thus agrees to kill Pietro ( though he does not follow through with the murder ) and to tempt his wife ( though the temptation ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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