Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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... figure 25 ( f ) ; British Archi- tectural Library , RIBA , London , figure 20 ; Calzolari , Mantua , figures 8 , 10 , 19 ; Didier Erudition , Paris , figure 4 ; Frick , New York , figure 5 ; HMSO , Norwich , figure 3 ; Kunsthistoriches ...
... figure 25 ( f ) ; British Archi- tectural Library , RIBA , London , figure 20 ; Calzolari , Mantua , figures 8 , 10 , 19 ; Didier Erudition , Paris , figure 4 ; Frick , New York , figure 5 ; HMSO , Norwich , figure 3 ; Kunsthistoriches ...
Page 30
... figure out of scale , the foreground / backbround relationship obscure : figure and context are deliberately ajar . The Madonna's babe , seemingly lifeless , appears ready to fall from her lap . Then there is the Madonna's ambiguous ...
... figure out of scale , the foreground / backbround relationship obscure : figure and context are deliberately ajar . The Madonna's babe , seemingly lifeless , appears ready to fall from her lap . Then there is the Madonna's ambiguous ...
Page 54
... ( figure 21 ) . The boy looks at us and points to the body of the Count as it is laid in its tomb by St Stephen and St Augustine . The effect of the Sprecher is to draw our immediate attention to the mannered , perfunctory aspect of the ...
... ( figure 21 ) . The boy looks at us and points to the body of the Count as it is laid in its tomb by St Stephen and St Augustine . The effect of the Sprecher is to draw our immediate attention to the mannered , perfunctory aspect of the ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's